Frankfurt Saturday Update

So how was my Saturday? I’m glad you asked.

1. The book fair was open to the public today, and it was completely insane; there were times when it was impossible to move forward because so many people were jamming the aisles. Really sort of amazing. Like Comic Con, only larger, and with more books. Tomorrow will apparently be even more insane since they allow sales of the books on the last day. Can’t wait.

2. My evening event went well; people seemed to have fun with the reading and the question and answer period went smoothly. I signed several books, met and chatted with some very nice fans, and then went to dinner with my German editor Sascha, Carolin my handler, and Miriam, who works with the Consulate. Good food and great conversation.

3. I am finding that my understanding of German is improving as I go along; instead of following 30% of what’s being said I figure I can understand about half, most of the time. Who knows, by the time I leave I may actually understand most people here. Of course, I still speak German like a drunk lemur. I don’t expect that will improve much. Alas.

And yes, still having a fantastic time. I really like Germany.

Saturday in Frankfurt: The Readinationing

For those of you who just happen to be in Frankfurt, Germany this evening, a reminder that my reading is here at 6:30 tonight:

Kunstverein Frankfurt
Markt 44 (Room D)
60311 Frankfurt am Main

Please come. And bring every single person you know.

For those of you who are not going to be in Frankfurt, Germany this evening, well. I hardly know what to tell you.

About to set off to the book fair for the day, at which I will probably spend a reasonable amount of time loitering at the Heyne booth. If you’re at the fair, come by and say hello.

If It’s Friday It Must Be Frankfurt

So I called my wife at nearly 10pm here in Germany and it was still only 4pm there. Wow, that’s weird. Maybe not as weird as when I was in Australia and I would call and it would be an entirely different day in Ohio. But still weird enough.

Notes on the day:

1. Despite sleeping a little on the plane, I pretty much passed out once I got to my hobbit-sized hotel room and slept until 2pm. Now it’s a bit past 10 and man I am so ready to collapse again. Apparently, Germany makes me tired.

2. While I was awake I met Carolin, my handler here in Germany, who will be accompanying me through the country so I don’t take a wrong turn and end up in Austria. Given my discombobulated nature at the moment, this is very important.

3. I met some of the folks at Heyne today, and they are lovely. It’s great to be published by these folks.

4. Holy God, the Frankfurt Book Fair is huge. As in, you could take all of BEA and it would fit in a corner level of huge. I walked an unspeakable amount.

5. Despite the immense immensity of the fair, I just happened to run into a friend of mine, Lawrence Schimel, as I walked into the International room. Coincidence? Or fate? Well, probably coincidence. But a nice one.

6. My big event of the day was a reception hosted by the American ambassador to Germany, Philip Murphy, who was nice enough to include me in his prepared remarks to the crowd. I also had a nice chat with his wife Tammy, and met some of the Consulate staff who brought me over here in the first place. Made me feel like a big shot, it did.

7. And then off to dinner with folks from my publisher; we went to a place serving traditional Frankfurt cuisine, and before you ask, no, I did not have a Frankenfurter. Really, now. I did have Apfelweinbratwurst, however, and it was fantastic.

8. And now I can feel the food coma coming on. Night, all, even those of you for whom it is still afternoon.

In Germany

Quick updates:

1. Have arrived in Germany. Flights in uneventful; taxi ride to hotel slightly terrifying; hotel room has the exact dimensions of the “coffin single” dorm room I had in college. It was the only room available at 6am, when I got in. They said, “it’s a room with a small bed.” I said, “I am a small man.”

2. Yes, everyone, I knew that the Velvet Wesley would be shown in The Big Bang Theory last night; they had contacted me about it ahead of time. Surprise! I hope you enjoyed its appearance.

3. My German wifi hotspot works but is hella slow. As hinted before, do not expect long updates.

4. Me sleep now.

Where in the World Is John Scalzi, 10/13

Answer: Currently loitering in the airport in Charlotte, North Carolina. Which is not actually a bad airport, when you have a long wait between connections, as I have today. As you can see the gate is positively packed. But then they’re not boarding the plane for another 90 minutes; I suspect it will fill up before then. Or maybe I’ll get lucky and have a semi-deserted flight to Germany, in which case I will get to stretch out. I’m hoping for the latter.

How’s your day going?

The Next 11 Days

As most of you know by now, I’m off to Germany tomorrow to do my book tour (here are the cities and dates), and I’ll be there through the 23rd (and probably sleeping through most of the 24th). Here’s what you need to know about the next several days.

1. The cute little object above is a German mobile wifi hotspot that I have rented for the duration of my trip, so the good news is that (schedule permitting) I should be able to update here from time to time whilst I am on the road. I suspect I will be doing most of my updating whilst on trains, because I will be on trains a lot, and what else is there to do on a train besides sit.

That said, don’t expect long updates over the next several days, and I may not update every day. Hey, I’ll be busy being a cultural ambassador for my country. That takes time out of the schedule. As I have the hotspot, I should also be able to update Twitter now and again as well; indeed, I suspect that will be my primary mode of communication to all y’all when I am in Europe.

In short: I still plan to be mostly gone until the 24th or so.

(Also, before you ask, yes, I am aware that electrical sockets and voltage are different over there — I have already bought the requisite cords and adapters and made sure my computer’s power brick is capable of handling twice the volts. I think ahead, I do!)

2. While I’m away, I’ve asked my friend Kate Baker (who some of you may recall as the site manager suring my six-week hiatus last year) to watch over the site and have handed over the Mallet of Loving Correction to her, with the admonition to mallet when in doubt. So please be polite to her and each other while I are away, because if you’re not, wham, baby. Kate may also post here, depending on her own inclinations and interests.

3. No Big Ideas while I am away, but you’ll note I did three in a row this week, and I have another three scheduled for when I return, so you’ll be all caught up.

4. While I am traveling I will not be answering anything but what I consider absolutely critical e-mails, so unless you’re on fire, if you have something to e-mail me about, it should wait until October 24. And if you are on fire, why are you e-mailing me? Dude, you’re on fire. Put yourself out.

The Unspeakable Eldritch Horror of Our New Bunny

To the surprise of almost exactly no one around here, the name “Cthulhu” took first place in our “Name the Bunny” poll, with “Lord Snuggleston,” coming in a reasonably close second. Athena liked both names, so we’re combining them to give our rabbit the rather grand name of “Cthulhu, Lord Snuggleston.” Because if ever there was a noble ruler of Cuddlyshire, it would be the squid-faced lord of insanity, wouldn’t it. So, meet Cthulhu, Lord Snuggleston. I imagine for short we’ll call it “Hey, bunny.”

And for those of you no doubt slightly alarmed by the picture above, a somewhat more adorable picture for you:

There, that makes it all better, doesn’t it.

Update: 3:03pm: Please to find Cthulhu, Lord Snuggleston’s first fan art, from Dave Branson:

Adorably terrifying? Or terrifyingly adorable?

The Big Idea: Matthew J. Kirby

Sometimes the big idea when the author starts a book isn’t the same big idea that the author finishes with. Matthew Kirby had this experience with his Viking fantasy Icefall – somewhere between the first and last words of the tale, some telling particulars had changed… and so had the story. Kirby tells you now about the process of discovery, and Icefall’s journey to find its true self.

MATTHEW J. KIRBY:

When I wrote my first novel, The Clockwork Three, I had a clear sense of the big idea, or rather ideas, going in, and the shape of the book changed very little once I began writing it. Not so with my second novel, Icefall, into which I went with one big idea, but emerged with another.

It all began with a dream, which isn’t as clichéd or mystical as it might sound. At the time, I was reading my friend Rebecca Barnhouse’s manuscript for her novel The Coming of the Dragon, a retelling of a portion of the epic Beowulf.  Rebecca so clearly evoked the Scandinavian world of Geats and Danes that I had Vikings plundering my thoughts, and apparently my sleep. I don’t normally remember my dreams, but this one was particularly vivid and haunting. In the dream, I saw three children clinging to each other in the courtyard of a fortress situated in a remote fjord. It was winter, bone-achingly cold, and an army of Viking warriors approached the earthen fortress walls. I knew the warriors had been sent to protect the children, and yet the children were terrified of them. I woke up as the army entered through the fortress gate, and I was left with a lingering claustrophobia and a fear that felt almost paranoid.

Upon waking, I began to ask questions, as writers do. Who were the children? Why were they there in that place? Who were the warriors, and if they were the good guys, why were the children afraid of them?

The answers to these questions led me to Solveig, the plain and undervalued second daughter of a Viking king. In Icefall, Solveig is sent with her brother and sister to a remote hall for their protection during a time of war, along with a few trusted servants and a company of her father’s elite berserker warriors. Winter descends upon the outpost, walling them in with ice and snow. But it soon becomes apparent that an assassin has been sealed in with them, and the traitor could be any one of them. With no way in or out until the summer thaw, and no way of knowing whom to trust, it is up to Solveig to uncover the truth and help her siblings survive the winter.

I thought that was the big idea of the book.  A dark, claustrophobic, Viking survival tale.

And then it came time to write the scene I’d dreamed about, and something unexpected happened. From between the berserker warriors emerged a character that I hadn’t known anything about when I conceived of the story. The king’s skald, or bard, had accompanied the berserkers to the fortress without my knowing it, and his presence changed everything. I had thought that over the course of the novel, Solveig would prove her worth to others and herself by saving her siblings from an assassin. But I learned that Solveig would also, and perhaps more importantly, become a skald, inspired and tutored by the man who sneaked into my book. Solveig would not only learn to tell stories, but to wield her stories as weapons to survive, and would ultimately use their power to save her loved ones.

Suddenly I had a new big idea. A bigger big idea. Icefall became a story about story. It is about the power of story to entertain, to comfort, to anger, to frighten, and to incite. It is about the stories we tell each other, but also tell ourselves. It is about truth, and lies, and the way we all use story to organize and give meaning to our lives.

—-

Icefall: Amazon|Barnes & Noble|Indiebound|Powell’s

Visit the book page. See the author’s site.

 

What Science Fiction Film Has Ruined For Me

This week at FilmCritic.com I go over some things that science fiction film has ruined for me, and, yes, this includes Antarctica, the setting for both the 1982 and 2011 versions of The Thing. The penguins can keep the whole continent, as far as I’m concerned. As always, if you have some choice comment to add, add it there, where the bosses can see you doing it, thus making me look good.

How I Buy Music, 2011 (Featuring John Wesley Harding)

I’ve been a fan of John Wesley Harding (aka author Wesley Stace) since he was nothing but a snide punk covering Madonna and Depeche Mode songs among his own acerbic tunes 20 years ago, so it’s not terribly surprising that I was interesting in getting The Sound of His Own Voice, his latest, when it came out today. Here’s how I did it: I went to Amazon, bought the MP3 version, and then as soon as I did, I popped up Spotify and started listening to it there.

Why didn’t I bother to download it?

1. Because Amazon will happily store it the cloud for me, where I can download it whenever I feel like getting around to it;

2. Because Spotify (or Rhapsody, to which I also subscribe) lets me play it even quicker than downloading it would, and these days there’s almost nowhere I’m going to be where I can’t stream it, either through wifi or my phone’s unlimited data plan — and if I am going somewhere these things aren’t possible, I’ll probably know about it ahead of time and can prepare accordingly.

3. Also, and I think probably most importantly from a philosophical point of view, the money I paid for the album at this point is not for a physical object or sole possession of electronic files but as an affirmative act to Harding/Stace to say “Hey, thanks for work.” I’ll note that this sort of thing doesn’t work for all forms of consumable media, but for music in 2011? Shit, man. It’s hard not to find everything you could ever possibly want to listen to out there in the aether. Harding’s entire discography pulls up on Spotify in less than a second; i.e., less time than it would take for me to locate the actual files on my computer. Music’s ubiquitous to the point that it’s simply not worth the bother to download and clutter up my hard drive. So, in this case: Money for the effort, not for the object.

(Which is not to say I won’t pay for physical objects associated with musicians; I just punted $100 to Jonathan Coulton for one of his Artificial Heart bundles, for which I understand I get t-shirts, a CD, and also, perhaps, a pony (I’m a little unclear on the details). But the music? Heck, JoCo streams it off his own site.)

And you may say: But what if Amazon goes out of business/stops keeping things in the cloud for you/is hit by a meteor that vaporizes the whole of western Washington state? In the former cases, I’ll have time to download; in the latter case, we’ve got bigger problems, now, don’t we. Today, the cloud works. I’ll keep this album there for now. The money, on the other hand, goes to the artist. Hope he enjoys the cup of coffee I paid for.

(Also: the album in question? Pretty darn good. And if you’re a bundle sort of person, check these out.)

Ladies and Gentlemen, Your Sun Dogs for Today

Handcrafted for your delight. Yes, ice fairies launched themselves into the sky to make them. You can see their trails crisscrossing below the sun! What? You don’t think those are ice fairy tracks? Well, believe what you want, atheist.

The Big Idea: Kirsten Kaschock

Author Kirsten Kaschock didn’t make things easy for herself in her novel Sleight. In it, she creates an all new art form, and then, having created it, she has to describe it to her readers — who have never seen of heard of this new art form before its appearance in the book’s pages. How does one do that? And why would one make that much work for one’s self as a writer? Kaschock has her reasons, and here she is to explain them.

KIRSTEN KASCHOCK:

Sleight is the name of my novel; it is also the art form that is central to the world the novel describes, and in some ways it is the main character.  Sleight combines elements of dance, circus performance, poetry, and sacred geometry.  It is one hell of a chimera to get onto the page.

Art forms don’t monologue about their identities (at least not by the rules of my novel), and art forms made of transmuting parts that don’t and probably can’t exist are difficult to picture.  Sleight is impossible to fully describe because it reaches into the sublime—the peak experiences that all art strives for—those moments of absolute transcendence when you are no longer thinking about what you are hearing or seeing but only experiencing it.

This book is about that, about the people whose lives revolve around those magics—its creators and performers—and how their art is like a drug to them.  But how do you give a form to something that is always just there at the edge of your peripheral vision?  How do you make the ineffable visceral?  Sleight needed a body.  And I had to be the Frankenstein who would provide it.

I used footnotes.  I used play-dialogue, some poetic language, obituaries and reviews and letters: I used the kitchen sink.  I also used people: Lark and Clef Scrye are semi-estranged sisters brought back together by a pregnancy, by their love of sleight and their need of each other; Byrne and Marvel Dunne are two brothers drawn to the visual and verbal elements of the art and warring over their different understandings of their father’s death; West is the svengali-like director of one of the sleight troupes, and he orchestrates the collecting of human talent and pain that drives the novel to its inevitable end.

I have reasons for chronicling artists.  My four siblings and I were all trained in ballet, then I left that world to study literature and write poetry.  I entered fiction.  I returned to modern dance.  I married a molecular geneticist and became the mother of three young boys.  I know now that I can never not make.  But I also like to be engaged with the world in a way that all my disparate identities somehow weave together to make sense.  There are elements of Sleight (as I imagine there are in every novel) that are autobiographical, and probably the biggest one is this: the book unabashedly pieces together ideas of family, spirituality, history, artistic responsibility, and the daily horrors brought to us through our various screens.  I admit to large ambitions, and that containing them requires a science fiction sensibility I’ve had since childhood, thanks to Saturday morning Star Trek reruns.

When I was first drafting this book, I was in school in Athens, Georgia with a kindergartner, a toddler, and an infant.  During the day I discussed literary theory and aesthetics, and at night I swum among the bodies of my boys—feeding, cleaning, swaying, bathing, burping, lullabying.  My life affected my studies and my fiction profoundly: no theory, no novel that could not address my whole world was going to resonate with me nor tap itself into existence across my keyboard.

Sleight grapples with grappling, with making sense of things in the midst of chaos, and sometimes letting the chaos wash over you until, nearly drowning, you finally catch a glimpse—and the invisible web of connection shimmers out over the waves.  What could tie the never-quite-gone images of the confederate south to the crescent smile of my infant to the alien grace of a dancer exiting a tour bus at the alley backdoor of hundred-year-old theater to the clean elegance of an Erlenmeyer flask brought home from the lab and filled with daylilies?  If I could tell a story that connected those dots—that would be something.

Sleight is my chimera.  Speculative fiction, familial drama, and serial killings all wrapped into the plot of one of the old Mickey Rooney/Judy Garland movies: let’s put on a show.  This is its Big Idea: if looking for meaning is a profoundly human experience, then creating meaning out of shards of a broken world must also be—only even more so.

—-

Sleight: Amazon|Barnes & Noble|Indiebound|Powell’s

Visit the book’s page at Coffee House Press, including trailer and tour information. Visit the author’s site. Follow her on Twitter.

Sunset, 10/10/11

So long, sun. It was good to see you. Don’t be a stranger, you hear?

Name This Bunny 2: The Quickening

The Scalzi Family Rabbit is looking nonplussed at being at the house for several days and yet still not having a name. Fear not, unnamed lagomorph! We’re nearly there.

Here’s the deal: a few hundred of you suggested names to Athena for this here rabbit. What she’s done is pick a list of finalists, and tossing the list back to you to vote for in a poll. Whichever name has the most votes by, oh, let’s say, 11:59:59 pm Eastern, Tuesday, October 11, will be the rabbit’s official new name.

Clearly, this is very serious business — perhaps the most seriousest poll I’ve ever had here.

So, here’s the poll:

Once again, Athena thanks you for your cooperation.

The Encyclopedia of Science Fiction: Now in Beta

A tweet from the estimable Neil Gaiman informs me that the online version of The Encyclopedia of Science Fiction is now up as “beta text” — i.e., still a work in progress. Work in progress though it may be, it’s still pretty impressive, with 3.2 million words of information on science fiction authors, notables, themes and culture. It’s a pretty impressive way to lose an entire day or three.

If that’s not enough to keep you busy, check out its sister site, SF Gateway. Yes, now you have lost all productivity for the week. You are welcome.

The Return of My Unsolicited Annual Plug for WordPress.com

Today marks the third anniversary of Whatever’s association with WordPress.com, via its VIP hosting service, and the best compliment I can think to give WordPress.com in this regard is that it’s been three years since I’ve had to think about whether my blog is up and running. It is, and WordPress.com just works. For someone whose personal level of competence in handling blog software is only slightly above “caffeinated lemur with a hammer,” this is a fine thing indeed.

Aside from placing a modest “Powered by WordPress VIP” badge on my site (you’ll see it in the site’s footer), the folks at WordPress have never asked me to bang the drum for them, but such is my positive experience with them to this point that I am happy to do it annually and without prompting. So: If you’re looking for hosting for your blog, consider WordPress.com; I suspect you’ll be happy with them. I am. If you are a business with a need for a serious Web presence backed by a lot of competent tech folks, consider WordPress VIP; I suspect you’ll find they work as well for you as they do for me.

And there we are!

The Big Idea: Kate Elliott

Every family has its own activities, to bring them closer together and to enjoy each others’ company. Some like to go hiking. Some play music. Others enjoy a “game night” with Monopoly or Carcassonne. But what about the family of author Kate Elliot? Well. Their family activities are a little more, shall we say, expansive in their ambitions. Elliot explains what they are, and how they relate to her “Spiritwalker” series of books, of which the newly-released Cold Fire is the second.

KATE ELLIOT:

You know how teenagers are: Always coming to their mom and saying, “MOM! We’re making up a world with our FRIENDS! Want to WORLD BUILD with us?”

The earliest iteration of the Spiritwalker world was my then-high-school kids (a daughter and twin sons) asking if I wanted to world build with them and their friends J and S. Of course I said yes, because any time your teens want to talk or hang out with you in a friendly way it’s a win all around.

I also said yes because I like to world build, the way other people have respectable hobbies. It’s a quirk of mine, picked up when I was myself a teen, possibly from reading fantasy and science fiction novels and wanting to escape the monotony of growing up in rural Oregon. All of my novels emerge out of that rather odd impulse, and so far over my career I’ve written twenty-one novels set in six different “universes.”

I’m not really a Big Idea person. I’m a landscape person. For me, story rises out of the intersection of character and landscape, by which I mean both the physical and the cultural landscape. This may come in part because of my own background in history and anthropology. It was certainly further influenced by my spouse’s graduate studies in Cultural Ecology and Archaeology. Possibly it stems at root from my childhood growing up on a farm in an ethnic household with an immigrant mother. Maybe my mind just finds patterns in that way.

What it means for my novels is that I’m continually exploring what diverse cultural landscapes could look like. That’s what happened when I started world building with my children. They had their ideas; I had mine. “Ideas” are tricky things. How a writer filters the influences around her will influence and shape what she writes about and how she writes about the things she observes and contemplates, as well as what things trouble or move or intrigue her.

Influenced in part by what my children had already set in place, my ideas veered toward building a sort of alt-Earth with magic, a landscape set in an early industrial revolution that was not dominated by the European nations we associate with the early industrial revolution and with colonialism because those nations did not exist. Nominally steampunk, it would really be more of a gaslamp setting. I specifically wanted to foreground other cultural traditions than the common Anglo-American ones we frequently see in our English-language publishing industry.

I asked myself a series of ‘what-if” questions:

What if there was an alternate Earth that didn’t have an England or even any Germanic-language-speaking peoples because of an extended Ice Age that covered parts of northern Europe?

What if, therefore, the Americas hadn’t been colonized, so their political landscape would look very different?

What if refugees from the powerful Mali Empire had gone to Europe with gold and status and become part of the ruling class? What if the rise of industrial technology was destabilizing the old order, but the radical notion of new rights sprang from a community-based rather than individual-based model of rights? What if humans had access to magical forces that could redirect the normal flow of entropy? Just go with me on the last one because an actual physicist gave me that line.

Out of that landscape walked a character and her story: An orphaned girl who lives with her aunt and uncle and her beloved cousin, her best friend in all the world, finds out in a shocking and unpleasant way that just about everything she thinks she knows is a lie–just about everything, except for the love and loyalty of her cousin, which is absolutely real and unshakeable.

Which is how I ended up with an Afro-Celtic post-Roman icepunk Regency fantasy adventure with airships, Phoenician spies, and the intelligent descendants of troodons.

What about the children? you may ask. Because while it is my trilogy, my story, and my characters (with a couple of exceptions), the landscape would not exist if they had not set some of its fundamental terms. Interwoven with the things I brought to the story are the things they brought to the world. That is one of the reasons I call the story a mash-up, with elements plucked from all over, thrown together in the kitchen sink, and churned with a big heaping of delight.

Twin B was insistent that there was a hidden war going on beyond human ken, involving spirit courts (the day court and the night court, a variation on old Celtic Faery) and dragons. Something metaphysical, he said, dealing with the rulers and the ruled and the need for revolution. Interestingly, Twin B is currently working as a longshoreman, a member of the ILWU.

Twin A, more pragmatic and worldly in his warlike tendencies, wanted a Napoleon analog, and empire. Because there can never be enough Napoleon. And empire. Did I mention empire? Furthermore, Twin A has outlined several Important and Crucial battles that I may not have space to write. Interestingly, Twin A is currently serving in the US Navy.

Finally, you may ask yourself, what about the daughter? What feminine touch did she bring to the proceedings?

LAWYER DINOSAURS.

Remember the “intelligent descendants of troodons” mentioned above? They are her invention: human size, agile, intelligent, detail-oriented, and technology-creating sapients complete with feathers (just like paleontologists recently found in amber, although the descriptions she wrote up for me were written several years ago). The ones met in the story are lawyers, printers, and radicals. The daughter, meanwhile, is in her final year of earning her B.F.A., with an emphasis in printmaking. She’s also written a couple of stories set in the Spiritwalker world, about “trolls,” as the humans call them.

Most of the above elements are introduced in book one, Cold Magic.

But because I’m writing this on the occasion of the publication of Cold Fire, which is book two of the Spiritwalker trilogy, I feel I should close with an example of an important thematic element and setting detail that appears in book two that doesn’t appear in book one. Besides the clockwork velociraptor, I mean.

That’s easy enough.

Sharks.

—-

Cold Fire: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Visit her blog. Follow her on Twitter.

Unfiltered ≠ Crazy

Over at Forbes, blogger Susannah Breslin wishes to suggest that crazy people make better bloggers, and likewise volunteers herself as an example of a crazy person who is one of those better bloggers. Her argument, basically, is that crazy people are willing to be unfiltered, honest and entertaining, which makes them more interesting than sane people.

I’m not particularly persuaded by her argument. I am neither here nor there with her opinion that she is crazy; she may be, and I have no reason to doubt her self-assessment. But I don’t buy the argument that being crazy means that you are inherently more interesting as a blogger than the average neurotypical human being. I know a fair number of people with diagnosed mental disorders of one sort or another; as a class, they are no more or less unfiltered, honest or entertaining than anyone else. Conversely, I know a fair number of people who pass for “sane” who are perfectly happy to be — depending on one’s perspective — either the guy who’s just saying what everyone’s thinking, or the guy who delights in dropping the turd in the punchbowl. Likewise, speaking as someone who’s done his share of ridiculous things simply because he felt like it, being diagnostically mentally disordered is not a prerequisite for such behavior.

It’s possibly more accurate to say that Ms. Breslin is as crazy as she says she is and she’s also gleefully unfiltered. Good for her; I hope both bring her joy. But as far as her thesis is concerned, the only thing I think she’s 100% correct about is that no one wants to read your blog if you’re boring. You don’t have to be crazy not to be boring. You just have to be not boring.

What’s For Dinner at Chez Scalzi

Two different kinds of bruschetta, one the traditional sort with tomatoes, the second with wild mushrooms. Here, the chef shows off her plating skills. Not too bad. The food was mighty tasty as well. Inasmuch as I can scorch boiling water, Athena’s aptitude with food no doubt comes down from her mother’s side. This works for me.

Your Sunday Mission: Name This Bunny

Athena’s having a hard time coming up with a name for the bunny, so I asked her if she’d like to crowd source it to you folks, and she said, yes, thank you, that would be lovely.

So: Any ideas on a name for this bunny? Note that “Rorschach” has already been rejected.

Athena thanks you in advance for your efforts on her behalf.