Not the two different versions of the French cover of Agent to the Stars by Paul Kidby — although, come on, how cool are those, right? Pretty damn cool — but the personalized-to-my-daughter sketch of The Kids Next Door, from the show’s creator, Mr. Warburton, which we naturally also had framed, along with the Kidby pieces. Athena’s a huge fan of the series and apparently sent him fan mail, to which he responded and mentioned my work, which he had read. So he and I exchanged swag, and this sketch was part of that. For doing this for my kid, Mr. Warburton is now on my list of Awesome People Who Are Awesomely Awesome. And it’s a short list, folks.
One of the first things I did after the SOPA/PIPA blackout page here came down? Sent information to lawyers about a file sharing site illegally offering up my work for download.
It’s not actually ironic, as I noted I’m all for the right of creators to be able to defend their copyrights online (and I’m happy I get to borrow my publishers’ lawyers to do so). But if you’re a binary thinker who believes that being against SOPA/PIPA means you therefore have to be fine with people violating copyrights it probably seems so. But those people, well. They’re silly.
As I noted to people on Twitter who reported feeling old after watching this, it’s not you’re so old, it’s that she’s so young.
Update, 1/25: Athena responds to accusations that her reaction here was staged.
I’m using WordPress’ “blackout” function today, so most people are seeing the site blacked out through 8pm tonight, but some folks can see it (it seems mostly in countries other than the US, but also some in the US). For those not being blacked out, here’s what I wrote on the blackout page.
I am speaking for myself and only myself.
Here’s the deal. I am a professional writer and the owner of copyrights. I strongly believe that I have a moral and legal right to control how my work is displayed and distributed, online and off. I believe that when my copyrights are violated, I should have a robust set of tools to deal with the issue, if such is my choice, online and offline. I believe every owner of copyrights — everyone who creates art — has these same moral and legal rights, and should have the same ability to address violations. Creators should be able to present their creations on their terms, not anyone else’s.
SOPA/PIPA aren’t the way to do this. These proposed laws are poorly constructed, overly broad and frankly thoughtless, the equivalent of dealing with burglars in someone’s home by carpetbombing every house on the street. You might stop the burglar, but the collateral damage makes it a hollow victory. The collateral damage here would be the hamstringing of the Internet, and trampling rights of speech and expression. That these proposed laws have been debated by a number of US Representatives and Senators who seemed proud of their ignorance of how the Internet works (and at least initially didn’t want to hear from technical experts) made it that much worse.
Let me reiterate: I strongly support the right of creators and copyright owners to control and defend those copyrights, online and offline, and welcome rational, useful tools that allow us to do that. I think it’s possible to create laws, treaties and agreements that allow for such tools without fracturing, possibly to the point of destruction, one of the most successful media for individual expression that we’ve yet managed to devise. We just have to decide to do it intelligently. Encourage your representatives and senators to do that, rather than passing SOPA/PIPA.
— John Scalzi
(Whatever will return in its usual form at 8pm Eastern)
If you were wanting to introduce a young kid to science fiction film, what films would you use to start that education? Over at FilmCritic.com today, I tackle that question and come up with five films to help kids fall in love with science fiction. Find out what they are and why I chose them. And as always, feel free to leave your own thoughts over there.