Daily Archives: September 5, 2012

So This Is a Thing That Actually Just Happened

A tale told in tweets:

So, yes. At some point in the not too distant future (but well after I finish up my current projects, no doubt to the relief of my editors) prepare yourself for 101 Uses For a Spare Goat, by John Scalzi, from Subterranean Press. It will be, and I think I am not being too presumptuous in the coining of this new word, caprilicious.

Also: My life is weird.

Subterranean Press September eBook Sale

Subterranean Press is putting on sale a whole bunch of its ebooks this September, including several of mine: Through the end of the month, for example, my Hugo and Nebula-nominated novella The God Engines is just $2.99, as is my book on writing, You’re Not Fooling Anyone When You Take Your Laptop Into a Coffee Shop. Other books include works from Dan Simmons, Barry Hughart, Kelly Armstrong and many others. All DRM-free to boot!

All the details are here. Happy shopping.

The Big Idea: Morgan Keyes

We’ve all experienced rites of passage in our lives, and they are usually framed as celebrations. But is there another side to those rites — a not always celebratory one. It’s a side that Morgan Keyes explores in Darkbeast, her new middle-grade novel. We’ve got here to explain.

MORGAN KEYES:

In Darkbeast, twelve-year-old Keara runs away from home rather than sacrifice Caw, the raven darkbeast that she has been magically bound to all her life. Pursued by Inquisitors who would punish her for heresy, Keara joins a performing troupe of Travelers and tries to find a safe haven for herself and her companion.

Keara’s story grew out of my own interest in rites and rituals, formal ways that we mark life passages. These ceremonies are important – they bind together societies, weaving individuals into the greater fabric of their culture. They help everyone – celebrants and witnesses alike – to join in a greater tradition, to be part of a greater whole.

And yet, rites of passage are not necessarily all good. Typically, people forfeit some of their individuality when they cast off their earlier, more carefree lives. They set aside some of their differences with authority; they accede to society’s demands.  (Down the road, of course, they might regain their individual voices; they might work to change the system. But most children, in most rites, yield to the traditions of their people, suffering some loss of autonomy along the way.)

Certainly, my views about rites of passage were shaped by my own experience. I grew up in a Jewish family, but in the years before I turned thirteen, I had very mixed emotions about becoming a bat mitzvah. I didn’t mind the studying, but I fretted that it was “fake” – I wasn’t truly learning Hebrew and I wasn’t mastering the teachings of my people. Rather, I feared that I was just memorizing some passages so that I could put on a show. Ultimately, I decided not to go through with the ritual (although I changed my mind and became a bat mitzvah when I was sixteen, in a different congregation with very different rituals.)

My ambivalence directly colored the experience of my Darkbeast character, Keara. Keara is eager to take on the trappings of adulthood – she wants to wear women’s clothes and live in the Women’s Hall. She longs to be treated with respect, to have a say in important family and village decisions.

And yet, she knows that completing her nameday ritual will require a very real cost – the life of her closest companion, her darkbeast Caw. Keara fears losing the creature who has guided her, who has been her moral compass. She questions whether she’s prepared to live life without her darkbeast. Most of all, she wonders whether she wants to live in a world that requires the execution of darkbeasts.

Keara is forced to balance good and bad. She is required to grapple with the gift of ritual and the cost thereof. Ultimately, her decision has grave consequences for Keara, for Caw, and for their society.

Completing the darkbeast ritual would certainly not have been all good. Avoiding it is not all bad. But the complexities of accepting adult responsibility become the basis of Keara’s character in Darkbeast.

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Darkbeast: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Visit the author’s site. Like her on Facebook.

The Now Standard Back From Worldcon Disclaimer + September Schedule Notes

Hi there! I’ve been away for several days and not looking at e-mail or much of anything else, and also have to dive back into work immediately, so it will probably take me a couple of days to clear my backlog of mail. If you sent me an e-mail in the last week you were hoping you’d get a response to, and I have not responded by Friday noon Eastern, go ahead and resend it. Thank you.

September Warning: September will be an extraordinarily busy month for me, with two — count them, two! — projects effectively in crunch time. Timely updates to Whatever and/or fiddling about on social media will take a back seat to getting that stuff done. So that August semi-hiatus that so very clearly wasn’t? It’s moved to September. Expect fewer/shorter posts, etc, you know the drill.

Finally, a quick, happy note: One nice thing for me is that here in the first week of September, Whatever’s already had almost as many visitors in 2012 as it had for all of 2011. So thanks, folks.