On a day to day basis, you might not think about the advantages and disadvantages of shapeshifting, but then, you probably aren’t author PJ Schnyder, for whom the details of such a process are a key aspect of her novel Fighting Kat. She’s here to explain why it matters.
It can take as little as 8 pounds of force to crush the human skull.
Human mandibles exert 120 to 150 pounds of force per square inch (PSI). And according to NASA and MythBusters, average static push strength of a medium-sized male is around 200 pounds of force (close to 1000 Newtons). So a human isn’t going to be crushing another human’s skull any time soon, either by biting or with bare hands.
What about predatory cats? A lion’s bite force is approximately 650 PSI. A tiger’s? Approximately 1050 PSI. A jaguar’s? Approximately 1,350-2,000 PSI.
That’ll do it.
Given the choice, it might seem a better idea to enter a death match as a predatory cat armed with superior bite strength and a full set of slashing claws. But…humans have thumbs. Weighing the pros and cons might take a few seconds.
In Fighting Kat, Kaitlyn Darah is presented with this choice. The ability to shapeshift from human to panther might as well be a super power, really. And considering the advantages, the choice would seem clear—cat-form it is. Right?
But at what cost?
As a shapeshifter, Kaitlyn is on the run from the Terran government. There are standing orders to bring in any and every shape shifter for study. If she wants to remain a free cat, and not a lab rat, she needs to keep her ability a secret.
But she and her lover, Lt. Christopher Rygard of the Terran military, need to form a team and go deep undercover. They’ll be posing as gladiators in a black market fighting arena in order to find captured soldiers and rescue them, if possible.
In order to survive, Kaitlyn must make the choice. If she fights as a human, she and Rygard could die. If she leverages her shape shifting abilities, she might lose her freedom even after they break free of the arenas.
Rygard has to make hard choices too. Follow orders, or stand with the woman he loves.
I created a cast of dynamic characters to support my hero and heroine. Some of them are proven friends and allies. Others aren’t so clear in their roles. There’s a mentor and an anti-mentor—like an anti-hero, only not—and there are people my heroes should be able to trust but can’t.
I wanted to tell a story of strong people in a universe where their choices matter. Where black versus white isn’t absolute and right versus wrong isn’t simple, yet each decision closes the door to a possible future. Where every decision triggers a series of further choices in a cascade of consequences that will lead both Kaitlyn and Rygard to places they’d never have anticipated.
Fighting Kat is a science fiction romance novel encompassing all of these things.
As a reader, I grew up on science fiction and fantasy and I read nonfiction just as avidly. And when I began to seriously delve into the craft of writing, I took a critical look at the structure of my stories. I came to a surprising realization: I write romance.
My stories focus on the development of the relationship between my characters. The romance drives the plot and the decisions my hero and heroine make every step of the way. Kaitlyn and Rygard grow individually and together based on the decisions they make in Fighting Kat.
Plenty of science fiction books contain romantic elements, but there the romance is woven in to spice up the story and not intended to function as the central plot line. You could remove the romantic elements and the plot would still stand on its own.
In my books, the romance is the plot line. If you took it out, it would just be a random series of events and with no driving force behind the actions the characters carry out.
Additionally, I prefer a happy ending. Perhaps not as far as a Happily Ever After, but by the end of the book I want my characters to be “Happy For Now” in a plausible and satisfying way.
These characteristics in my writing make my stories romance. If you’d asked me a decade ago, I wouldn’t have anticipated writing romance in my future. But now? I embraced the decision to write romance and have no regrets. Romance allows me to write science fiction, paranormal, steampunk and more. It’s given me freedom for my creativity and an audience of voracious, open-minded readers willing to try a new type of story.
It led to me creating the universe of the Triton Experiment and to writing Fighting Kat. It’s a science fiction romance and I am in love with it. I hope readers will enjoy it too.