The Big Idea: Vivian Shaw

Monsters are monsters, but do they always have to be so… monstrous? Vivian Shaw considers the fundamental nature of these terrible creatures in Strange Practice, and how she came to look at them from another angle entirely.

VIVIAN SHAW:

What’s my big idea?

The facile answer is, of course, sensible monsters. An idea which doesn’t seem to have found a great deal of traction thus far in any genre, classic or contemporary, and so offers a wide-open opportunity to play with readers’ expectations — but the real underlying answer goes back a lot further than that. It has to do with the contrast between ordinary and extraordinary, and what that means in terms of storytelling.

I’ve been writing novellas and novels of varying quality since I was about ten or eleven, but I did National Novel Writing Month for the first time in 2004, right after spending a lot of time on urbex websites, and the big idea behind that first NaNo was how many characters from classic vampire lit can I get into one story while exploring the weird and wonderful subterranean world of London? The answer turned out to be between five and eight. That first draft featured not only Lord Ruthven and Sir Francis Varney, but also Dracula and Carmilla (only spelling herself Mircalla, because vampires and spelling are such a thing). On the human side I had Greta, descended from Van Helsing, and August Cranswell, descended from the family that put paid to the vampire of Croglin Grange.

I decided to put vampires in the NaNo novel because I’ve always been fond of them — even as a kid I loved reading the classics, even if I had to stop every now and then to look up the words. The way in which the Western vampire mythos evolved from age to age, gathering often-contradictory detail with each well-known story added to its canon, fascinated me. But in all the stories, all the retellings, I couldn’t get away from the fact that most of the vampires did really stupid things. Their behavior was practically designed to attract the attention of the pitchfork-and-flaming-torch brigade, and just for once I wanted to read about vampires who just got on with it — vampires who were monsters, yes, but also people. Vampires who didn’t have to have geographically unplaceable accents and go swanning around in evening dress all the time for no reason. Vampires who didn’t need to be hypersexualized edgelords in leather trousers, or spend all their time moping about their cursed eternal fate, woe. Vampires who’d rather write nasty letters to the Times than tear throats out (unless the latter was really necessary), and who used their powers to watch over the city and stop other monsters ruining everything. Vampires who were sensible.

And because I wanted to read it, I had to write it first.

That book was called The Underglow, and it sat around on various hard drives for a decade while I borrowed characters from it and played with them, letting them evolve into much more nuanced and interesting individuals. In 2014 I dusted the book off again, looked at it properly, and determined it would need to be stripped to the skeleton and rewritten almost from scratch.

And this time the big idea wasn’t about cramming in as many recognizable characters as I could shoehorn into a plot, nor was it limited to vampires alone. This time it was about the individuals themselves — a more diverse cast, given more opportunity to shine — and what it actually meant to them to be what they were, extraordinary creatures in an ordinary world. I didn’t just have sensible vampires. I had sensible were-creatures, and mummies, and ghouls, banshees, bogeymen, a whole spectrum of monsters to play with, a richer world to explore.

It was this second iteration of the book that would end up becoming a series starring Greta as the central character, set in this peculiarly overlapping supernatural-adjacent world. With my editor’s help, I continued to refine the text into something that explored that particular aspect of storytelling: both the contrast between the ancient monsters and the modern day, and the fascinating difficulties encountered by people who necessarily spent their time in the liminal space of that boundary between natural and supernatural. What their experience would be, as creatures who had to coexist either covertly or overtly with ordinary humans, keeping their natures as quiet as possible — and what it might be like as a human to witness that experience, and to take on the responsibility of offering care across species boundaries. What kind of person would you have to be, to do a job like that?

Without really intending to, all those years ago in the throes of NaNo, I’d done myself an extraordinary favor in inventing the character of Greta Helsing. In the previous version, Greta was much less important a character; in this one, I could take much more advantage of her highly specialized role to portray those monsters as her patients, people she cared for, whatever sort of creature they might be, and what that meant to her. As a human physician to the supernatural, she necessarily encounters an enormous variety of complaints, and so I get to write about so many fascinating problems seen both from the human and the clinical standpoint. It gives me endless pleasure to apply scientific protocol to the realms of the unreal — there’s the contrast thing again, ordinary and extraordinary balancing each other — and I love writing about listserv arguments over the relative merits of different embalming fluids in zombie tissue stabilization, or the practice of creating perfect bone replacements for mummies via 3-D printing from a laser scan.

So it’s contrast, and it’s the experience of that contrast, of being a stranger in a strange land, that really drives the book (and, in fact, the series). The concept of found family echoes throughout, as well — it’s a natural consequence of the transposition of individual and environment, and one of my favorites.

But if, in the end, all you take away from Strange Practice is sensible monsters…I’m gonna be well-pleased with the work of my hands.

—-

Strange Practice: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Visit the author’s site. Follow her on Twitter.

9 thoughts on “The Big Idea: Vivian Shaw

  1. > Vampires who didn’t need to be hypersexualized edgelords

    Wait, when did that become a bad thing? :-)

    Actually, terrific book idea and terrific overview – I will check that out.

  2. Interesting, I might have to look this one up.

    Some years back my wife and I stumbled across the BBC series “Being Human”. A vampire, a werewolf, and a ghost end up as flatmates….. Sounds like a sitcom setup, but the core idea was each struggling together with their newfound supernatural natures and trying to retain as much of their humanity as they could.

  3. I am so excited to read this book. Also as an aspiring baby writer, hearing “I wrote this, and let it age for several years until it got good” is SO REASSURING.

  4. Sorry for being dense: this sounded to me like it’s part of a series but when I went to Amazon to add it to my wishlist it looks like it’s just the first. Is that right? Because it sounds pretty great to me and I would like to know if there are other entries I should start with. At any rate, it sounds to me like a much more interesting place to start this kind of story, which is precisely what you described: what happens when characters don’t make the easy, dumb choices that really only serve as plot devices? It also sounds a great deal more difficult to write. Looking forward to it.

  5. It certainly sounds like something I would enjoy a lot. I was probably 12 when I read my first Vampire book. Some monsters are more or less monstrous than others. Now we see less evil Vampires (but still pretty ultrasexual) in L Hamilton’s series, and Werewolves who attempt to control their urges to eat people as well. I forget the author’s name, she has two different series with the same WereWolf Lord, who usually doesn’t appear as a character, but is making some high-level decisions in the backstage area.

    I like the torn between good and evil monsters, as well as the Monsters torn as groups between mostly good and totally evil…when will this be released?

    Last time I ordered books from Amazon, I actually added a novel to my Cart which wasn’t going to be actually printed and shipped until mid-2018 !!! Nope! My policy is to not order stuff which isn’t really in existence yet.

  6. On the subject of (mostly) sensible vampires, the movie «What We Do in the Shadows» (New Zealand, 2014) might be worth your while. It’s a very well reviewed comedy and I enjoyed tremendously.

    Yves

  7. I like the concept and, based on what I see in the excerpt, I like the writing style, and these are characters I’d like to spend more time with (from a safe distance, of course). I’m in.

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