The Big Idea: Garth Nix

Not every book has a predictable genesis. Indeed, A Confusion of Princes, the latest novel by Garth Nix, is one of those whose beginning is best described as a series of detours, resulting in a book. Come, walk with Nix as he retraces his steps to get to the published work.

GARTH NIX:

I’m not sure any of my novels have any one big idea. I like the concept of a humongous idea striking suddenly, after months or possibly years of lying around doing not much at all, allied with the popular belief that post-lightning all you have to do is retreat to a darkened room and bash out the words, a kind of a minor bureaucratic tidy-up after the brilliance of the lightning bolt.

Maybe it does work like that for some writers. But for me the ideas are more like sparks of static electricity. Mostly small, and myriad, and occasionally annoying. They are also not random, but generated by the act of writing (in which I would include daydreaming, note-jotting and open-mouthed musing to say, the neighbourhood cat). The writing generates more ideas, in turn inspiring more writing, which generate more ideas and so on.

In the case of A Confusion of Princes, it would need the psychoprobe of classic science fiction to identify and separate all the ideas and the seeds for those ideas. This is because it took me a long time to write this book, while I was also writing other books, so I can’t remember. (To tell the truth, even when I write a book quickly I find it difficult to identify the genesis of any particular idea. Usually I just make something up that sounds plausible.)

It also got complicated because something unusual happened with A Confusion of Princes. Typically when writing a novel I start very thinly with a half-seen character and a clouded situation, and some ideas about the setting. I will then write a bit of prose that makes my initial thoughts more concrete, and leave it for a few months, sometimes longer. Occasionally, like a chef returning to a dish, I will drop back and stir things around, make some notes, maybe write a bit more. Six months or a year down the track I will write an outline for the rest of the book, an outline that I will not actually follow, but that I need to write in order to be able to depart from it later on. It is a zen outline, the act of writing it being of significance, rather than its content. When all that is done, I will write the book, a chapter at a time, revising backwards as I go along, until it is done.

With A Confusion of Princes I got sidetracked after the initial phase, in which I had written a prologue (which never made it into the book) and nothing else. It seemed an excellent idea back in 2007 that I should take that bit of prose, and the few notes of setting I had already worked out, and expand upon them to create the background for a massively-multiplayer online game that I was developing with my old friend and fellow game design lunatic, Phil Wallach, with whom I have worked on a number of overly-ambitious games. After all, I thought, the game would in due course help promote the book.

Over the next three years or so, Imperial Galaxy drank up vast amounts of our money, time and the imaginative energy that I would have otherwise invested in the novel, ultimately with what might charitably be called very limited success, possibly making it the most expensive and least-useful piece of marketing for a book ever. (But we enjoyed it, and if we could afford to, would do it again. Though I might keep the next game design separate from a novel in progress . . . )

But what of the ideas? This is after all, not a “Dumb Idea” piece, though some (i.e. my accountant) might think being diverted into the game was exactly that. What I set out to write was a book about power, and the corruption of power; the nature of Empires and rulers and the ruled; of growing up in a Galactic Empire; falling in love and the redemptive powers of being loved; and what it means to be human and superhuman, when being superhuman might also mean being subhuman or indeed non-human. I also wanted, as per usual, to write the kind of book I liked to read when I was 16 and 32 and 48 (right now), and in this case, I wanted to write a science fiction adventure with more than just the adventure, like the books I loved and still love by Robert Heinlein and Andre Norton, amongst others.

When I read one of the early reviews, in Kirkus Reviews, I thought perhaps I had managed to do that, at least for that reviewer, who finished their piece with the following: “Space battles! Political intrigue! Engineered warriors! Techno-wizardry! Assassins! Pirates! Rebels! Duels! Secrets, lies, sex and True Love!  What more can anybody ask for?”

Well, I guess you could also ask for a complete game based on the book. But lacking that, you can still play the beta version of a portion of a fragment of the game, at www.imperialgalaxy.com — where you too can be a Prince of the Empire.

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A Confusion of Princes: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Visit the author on Facebook. Follow him on Twitter.

BuzzFeed Catches Up With What I’ve Been Saying For a Couple of Years Now

Saladin Ahmed and Jonathan Coulton: Separated at birth.

Seriously, I know them both, and it’s uncanny. Although Saladin is the slightly more compact version. Even so.

“Being Poor” Excerpted in “The Rich and the Rest of Us”

I completely forgot about this until I saw a Tavis Smiley tweet about it this morning: My Whatever post “Being Poor,” which I wrote in the aftermath of Hurricane Katrina, is excerpted in his and Cornel West’s new book The Rich and the Rest of Us: A Poverty Manifesto. Which is, as you might expect, a book about poverty here in the United States.

You might ask, what payment did I get for this reprint? The answer: None at all. I am someone who very strongly believes in getting paid for his work, but in the case of this particular essay, it wasn’t written for pay, and when an opportunity for payment comes to me for it, I like to put my money where my mouth is regarding poverty. I requested that in exchange for the right to reprint the essay, that Mr. Smiley (whose people approached me with the request) donate the reprint sum to a charity dealing with poverty. Mr. Smiley (or his people) chose Feeding America, which helps provide food for those who need. That’s an organization whose goals I support, so well done him.

In any event, if you happen to pick up the book, see “Being Poor” and wonder if I know it is there: Yes, I do. It’s nice to see the essay still getting around and being part of the conversation about poverty here in the US.

Happy Mother’s Day, 2012

Look, it’s a picture of me, my mother, my sister Heather and my niece Ashley, from (I would guess) 1986 or so, and probably from around Mother’s Day. Today, everyone else in this picture has equal or greater amounts of hair except for me. Seems horribly unfair.

In any event, seems like a good picture to air again on Mother’s Day. If you’re a mom, I hope you’re having a good day. If you’re not a mom, it’s not a bad day so give a little appreciation to your mom, if she’s about and around.

The Winner of My Non-US Redshirts ARC Giveaway

Is “A-Jay” from Norway, who was the first to correctly guess that the monument I was thinking of was “The Motherland Calls,” in Volgograd, Russia. Seriously, that’s a badass statue, y’all.

A-Jay, send me your mailing address from the same e-mail address you used to comment from, and I’ll put your Redshirts ARC in the mail. Congrats!

And thanks, everyone not in the US who played.

The Big Idea: Joseph Nassise

Zombies are the chocolate. World War I is the peanut butter. In By the Blood of Heroes, Joseph Nassise is the guy who puts them together. How does it taste?

JOSEPH NASSISE:

I always swore I’d never write a zombie novel.

I mean, come on, seriously. Rotting corpses with minimal intelligence endlessly wandering around with a taste for human flesh? What’s the point? What kind of villain is that?

No, I wasn’t going to write a zombie novel. No way, no how. What I wanted to write was a Dirty Dozen kind of story, a near-suicide mission-behind-enemy-lines kind of thing, except I wanted my version to be set World War One instead of World War Two. I could add lots of steampunk gizmos and gadgets to give it a unique flavor as well.

But as I began to write, I realized that something was missing. My villain, the Baron Manfred von Richthofen, just wasn’t cutting it. He was too…average…and what I needed was a villain that made the reader sit up and take notice. I dug through my notes, looking for a hook that I could use to make him a bit more sinister in the overall scheme of things.

Noting that, historically speaking, Richthofen had been shot down and killed in April 1918, I asked myself how the war would have changed if that hadn’t happened. What if he had lived? What if he had continued to add to his amazing streak of victories, bringing his confirmed kills to well over his historical total of 82 enemy planes? Would that provide the oomph I needed?

I didn’t think so. But the pump had been primed and other ideas began to flow as a result. What if he’d been shot down but lived through it? Even better, what if he had died but then rose again to continue fighting?

My pulse kicked up and I knew I was on to something. Richthofen gets shot down but rises again, the undead enemy ace determined to win the war for the Kaiser. That sounded pretty cool; I could work with that.

I just needed to come up with a plausible reason for it.

The idea that Richthofen was a vampire occurred to me but was just as quickly discarded. After all, Kim Newman had already done that, and done it extremely well, in his classic The Bloody Red Baron. Besides, I was almost as tired of vampires as I was of zombies. Making Richthofen a werewolf wouldn’t work either; can you imagine him going through a Dog-Soldier-style transformation while in a wood and canvas biplane fourteen thousand feet in the air? Not a pretty sight.

Ghosts. Ghouls. Spectres. Warlocks. All were considered. All were just as quickly cast aside. Still, I knew I was on that right track. I could feel it. There had to be something…

Since I wasn’t having any luck, I decided to look at the problem from a different direction. Instead of worrying about what kind of undead creature to make Richthofen, I thought about the mechanism I needed to make him into whatever-it-was he was to become. I pictured him there in the middle of no man’s land, his Fokker triplane crumpled around him, his blood leaking into the earth. What was already on that battlefield that I could make use of?

Mud. Corpses. Rats. Barbed wire. Trenches. Gas.

Wait a minute, I thought. Gas.

A quick dig through the various books on my desk told me that the first use of poisoned gas on the Western Front was by the Germans during the Second Battle of Ypres. 5700 canisters containing 168 tons of chlorine gas were released toward the Allied lines at sunrise on April 22 and the yellow-green gas was so effective that it surprised even the German troops sent to follow up on the breakthrough it created.

I knew right then and there that I had my mechanism. What if the gas the Germans had invented had not been chlorine or mustard gas but had been corpse gas instead? What if the gas worked only on inert tissue, bringing the battlefield dead back as – dare I say it? – zombies? (Or, in the parlance of the story, shamblers.)

Everything fell together from that point forward. The gas would resurrect the dead, reinforcing the German army after every battle, promoting the Allies to begin burning the corpses of friend and foe alike in giant bonfires that filled the air with ash and soot. The swelling ranks would give the Germans the extra push they needed to force the Allies back almost all the way to Paris. The world would not just be fighting for freedom from tyranny but the very survival of the human race.

There was only one final detail to set it all in motion. What if one out of every ten thousand resurrected corpses came back with their faculties intact? Not just intact, but improved a hundred-fold? The newly resurrected dead would be smarter, faster, and able to withstand more pain and injury than a normal human being? What if Richthofen had died in that crash, only to rise again as one of these revenants? How would his increased drive and ambition, never mind loyalty to the homeland, impact that war around him?

And that, dear readers, is how I ended up writing not just a zombie book, but an entire series with zombies as a chief element despite my vow.

—-

By The Blood Of Heroes: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Follow him on Twitter.

Still Life With Cat, Fuzzy and Redshirts

This mostly to establish that my first finished hardcover copy of Redshirts has arrived at the house. It looks fantastic, I have to say. And no, you can’t have it. I only have the one. It goes to Krissy. Because she has First Copy Privileges. I think we can all agree that is how it should be.

Best Mutant Cookies Ever

What was waiting for me when I got in at 1am:

If you can’t read the note, it says: “Happy birthday!! We made you B-day cookies but mommy messed it up bad. The love is there. Mommy & Athena.”

That’s right! The secret ingredient is love! And, uh, maybe too much milk.

They still tasted excellent.

It’s nice to be home.

43

42 was a pretty good year for me, I have to say; I did some good work, made the acquaintance (or better acquaintance) of some excellent people, and got to see a bit of the world. Let’s see what 43 has in store.

In other news, today is my birthday and I am also doing an appearance at the Massachusetts Library Association and I am also traveling back home so I will be able to share at least a tiny sliver of today with the family. All of which is to say I am mostly taking the day off from here. See you tomorrow!

I’m Wrong Again and Happily So

I thought Obama was going to keep his distance on same-sex marriage through November.

I was wrong.

I’m at the airport and catching up on this as it develops; when I’m done I’ll possibly check in with further thoughts. But for now, I’ll just say: Good for him. Glad he came out.

My Schadenfreude Phaser is Set to “Meh”

People are (rather gleefully, I suspect) sending me this story about conservative writer Jonah Goldberg getting dinged for the jacket flap bio of his latest book, which incorrectly states that Goldberg has been twice nominated for the Pulitzer. In fact it appears he’s been twice submitted for consideration, which involves no special skill other than filling out an application and sending the $50 fee. When called on it, both Goldberg and his publisher said “whoops, that’s an error” and backtracked on it, both suggesting it was an innocent mistake.

Well, it’s definitely a mistake. I’m not sure it was “innocent” in the sense of “unintentional,” although it might be in the sense of “non-malicious,” since no one gets hurt when Goldberg overinflates his accomplishments. But as publishing sins go, it’s pretty venial. It’s not like plagiarism.

Also, from a certain pathetic point of view, it’s not an actual lie. It’s stupid, and it’s something you can get called on so easily that it’s foolish to do it. But just as Bill Clinton wanted to parse what “is” is, Goldberg appears to have been hanging his hat on what the word “nominated” means.

In this case Goldberg seems to have been using the word “nominated” in the sense of “proposed for consideration,” which if you’re a word dork who hauls out the dictionary every time someone points out you’re using a word in a non-conventional manner, is not incorrect: Goldberg’s publishers did propose him (and/or his work) by filling out the forms and sending along the money. Goldberg’s initial response to being called on his use of the word “nominated” in at least one of his various bios — “Nominated by the Tribune syndicate. Never said I was a finalist. There’s a distinction” — makes it clear that’s why Goldberg went with the wording.

And in his defense, he’s not alone. I’ve had people proudly note to me that they’ve been nominated for a Pushcart Prize (again, by a publisher sending in an application) or for Hugos or Nebulas (by a member of the voting pool offering a recommendation and/or submitting their name or work on the initial nominating ballot) or for other awards. Again, in a strict dictionary sense, they’re not wrong. It’s a nomination — they or their work has been named for consideration.

In the practical, real world sense, however, it’s totally incorrect; the common usage of the “nominated” when in comes to awards is those works that have made a short list prior to the naming of a winner (or, in the case of the Pulitzer and a few other awards, noted as being part of the final selection pool after the award is announced). What’s more, I rather suspect a large number of the people who announce their work is “nominated” in the dictionary sense are well aware that people who see the word in the context of award immediately go to the “short list” meaning of the word. Which is why they use it at all — or at the very least allow it not to be corrected.

This is, incidentally, why it doesn’t pay to be a dictionary dork if you don’t understand that dictionary definitions are descriptive, not prescriptive; you can be literally correct about the definition of a word, but still be contextually wrong and look silly in the real world. I mean, look: I’m pretty certain at least a couple of people nominated Fuzzy Nation for the Best Novel Hugo Award this year. If I went around saying it was nominated for Best Novel because of that, I’d have my ass handed to me. And rightly so, because it’s not correct, even if by the dictionary definition I’ve been nominated. The dictionary is not your friend in situations like these.

Why didn’t Goldberg correct this until he got called on it? You got me. I don’t buy that Goldberg was unaware of the notations. He probably didn’t write his jacket bio copy (I don’t write mine) but he almost certainly got jacket proofs, and it’s incumbent on him to correct errors. This would have been an easy fix. The obvious answer is that he didn’t correct it because he didn’t want to or that he genuinely believed that it wasn’t a big deal to say “nominated” when “submitted for consideration” was more correct. Maybe to his audience it doesn’t matter, or he didn’t believe his audience would know anything about the Pulitzer process. Which may be correct since he was ultimately called on it by another journalist. It was still kind of dumb of him.

My problem is that I can’t work up a real sense of schadenfreude on this because, really, it’s just kind of amateur hour. I’m no fan of Goldberg, who strikes me as a slap-dash researcher and whose political rhetoric runs the gamut from “fatuous” to “shallow,” but the dude’s been in the grown-up publishing world for a couple of decades now and has shipped hundreds of thousands of books. You’ll likely never see me write these words in the context of Goldberg ever again, but he’s better than this sort of penny-ante silliness, or at least he should know better. It’s like watching an NBA player trip over untied shoelaces. It’s not as much fun as it could be.

Horse Sense From Indiana Senator Richard Lugar

Who was defeated in his primary last night. It’s on the subject of his primary opponent and the value of bipartisanship. I’m going to quote a big fat chunk of it here. For those of you who want to see the whole thing, it’s here.

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…If Mr. Mourdock is elected, I want him to be a good Senator. But that will require him to revise his stated goal of bringing more partisanship to Washington. He and I share many positions, but his embrace of an unrelenting partisan mindset is irreconcilable with my philosophy of governance and my experience of what brings results for Hoosiers in the Senate. In effect, what he has promised in this campaign is reflexive votes for a rejectionist orthodoxy and rigid opposition to the actions and proposals of the other party. His answer to the inevitable roadblocks he will encounter in Congress is merely to campaign for more Republicans who embrace the same partisan outlook. He has pledged his support to groups whose prime mission is to cleanse the Republican party of those who stray from orthodoxy as they see it.

This is not conducive to problem solving and governance. And he will find that unless he modifies his approach, he will achieve little as a legislator. Worse, he will help delay solutions that are totally beyond the capacity of partisan majorities to achieve. The most consequential of these is stabilizing and reversing the Federal debt in an era when millions of baby boomers are retiring. There is little likelihood that either party will be able to impose their favored budget solutions on the other without some degree of compromise.

Unfortunately, we have an increasing number of legislators in both parties who have adopted an unrelenting partisan viewpoint. This shows up in countless vote studies that find diminishing intersections between Democrat and Republican positions. Partisans at both ends of the political spectrum are dominating the political debate in our country. And partisan groups, including outside groups that spent millions against me in this race, are determined to see that this continues. They have worked to make it as difficult as possible for a legislator of either party to hold independent views or engage in constructive compromise. If that attitude prevails in American politics, our government will remain mired in the dysfunction we have witnessed during the last several years. And I believe that if this attitude expands in the Republican Party, we will be relegated to minority status. Parties don’t succeed for long if they stop appealing to voters who may disagree with them on some issues.

Legislators should have an ideological grounding and strong beliefs identifiable to their constituents. I believe I have offered that throughout my career. But ideology cannot be a substitute for a determination to think for yourself, for a willingness to study an issue objectively, and for the fortitude to sometimes disagree with your party or even your constituents. Like Edmund Burke, I believe leaders owe the people they represent their best judgment.

Too often bipartisanship is equated with centrism or deal cutting. Bipartisanship is not the opposite of principle. One can be very conservative or very liberal and still have a bipartisan mindset. Such a mindset acknowledges that the other party is also patriotic and may have some good ideas. It acknowledges that national unity is important, and that aggressive partisanship deepens cynicism, sharpens political vendettas, and depletes the national reserve of good will that is critical to our survival in hard times. Certainly this was understood by President Reagan, who worked with Democrats frequently and showed flexibility that would be ridiculed today – from assenting to tax increases in the 1983 Social Security fix, to compromising on landmark tax reform legislation in 1986, to advancing arms control agreements in his second term.

I don’t remember a time when so many topics have become politically unmentionable in one party or the other. Republicans cannot admit to any nuance in policy on climate change. Republican members are now expected to take pledges against any tax increases. For two consecutive Presidential nomination cycles, GOP candidates competed with one another to express the most strident anti-immigration view, even at the risk of alienating a huge voting bloc. Similarly, most Democrats are constrained when talking about such issues as entitlement cuts, tort reform, and trade agreements. Our political system is losing its ability to even explore alternatives. If fealty to these pledges continues to expand, legislators may pledge their way into irrelevance. Voters will be electing a slate of inflexible positions rather than a leader.

I hope that as a nation we aspire to more than that. I hope we will demand judgment from our leaders. I continue to believe that Hoosiers value constructive leadership. I would not have run for office if I did not believe that…

—-

Thoughts?

North Carolina and Amendment One

I’m not particularly pleased with the outcome of the North Carolina Amendment One vote last night, but neither am I particularly surprised. And as I noted on Twitter last night, my impulse to tut-tut North Carolina voters is well tempered by the fact Ohio’s voters put their own rather odiously bigoted marriage amendment into their constitution a couple of years ago. People living in glass houses need to pull the beams from their own eyes, as they say. Of course, I did vote against Ohio’s marriage amendment when I had the chance, so in that respect my conscience is clear. My point, however, is that people who want to snark off about North Carolina as just another redneck southern state should note it’s not just the south where this is all still in play; remember that four years ago voters in California, where non-Californians often assume sodomy is high school elective, voted anti-same sex marriage bigotry into their own Constitution.

As Ana Marie Cox notes in the Guardian, all of this is a rear-guard action on the part of bigots and the oft-unwitting and well-meaning accomplices of bigots, many of whom who would be appalled and offended at the idea their vote for encoding bigotry into their state constitution constitutes an actual act of bigotry on their own part, because they don’t hate anyone (sorry, guys. It does). But I think pro-same sex marriage folks underestimate how long it will take to tear down all this constitutional nonsense short of a pro-same sex marriage (or at least pro-equal protection under the law) Supreme Court ruling that will affect the entire nation, which I don’t think anyone should count on any time soon, hopeful projections in the direction of Anthony Kennedy notwithstanding. Yes, nationally half of the US now supports same-sex marriage, but remember that half is not evenly distributed and that the majority of the older people who are against same-sex marriage will not die off as quickly as you hope.

Five years from now the majority of Americans will support same-sex marriage; ten years from now the large majority will. But ten years from now it will still be against the Constitution of North Carolina for same sex couples to get married (and Ohio’s, too). I’d like to be wrong, but I doubt I will be. It’s harder to repeal a constitutional amendment than a law. The bigots know this. This is why the bigots do what they do.

It sucks for gays and lesbians that in places like North Carolina, and Ohio, and even California, all that can done at the moment is to assure those of them who would like to marry those they love is to tell them that it will get better. I shouldn’t have to get better. It should be better. But you work with what you have in the real world, and in the real world, what gays and lesbians in places like North Carolina and Ohio and even California have is the future. Let’s get working toward it.

The Big Idea: Mark Teppo

The Mongoliad, Book One (there will be two more) was put together by what could only be called a supergroup of seven science fiction and fantasy rock stars, including Hugo-winning authors Neal Stephenson and Greg Bear. But it’s often hard enough getting just one writer to figure out where a tale is going; what happens when you try to wrangle seven writers at the same time in the service of a single story? Mark Teppo, co-writer and chief writer wrangler for The Mongoliad, gives us insight into the process (hint: It may involve bladed weapons).

MARK TEPPO:

Sure, The Mongoliad trilogy started out as the justification the writing team used to explain why they hit each other with swords as often as possible in the name of research. (Yes, there is a team; it is comprised of Neal Stephenson, Greg Bear, Erik Bear, Joseph Brassey, E. D. deBirmingham, Cooper Moo, and myself.) And what better way to justify this research than to collaborate on a rip-roaring adventure epic that posits a secret history of medieval Europe? We invented a martial order–Ordo Militum Vindicis Intactae, the Knights of the Virgin Defender—and we set out to make them as real a part of history as the conspiracy theories regarding the lost Templar gold of the 14th century. We wanted to bring back the joyous pulpiness of weekly serials while accurately portraying the very rich history of Western martial arts.

That was the basic plan, but along the way, we formed a company whose goal was to realize a new paradigm in publishing methodology, and to promulgate an argument that transmedia empires could be built using small, highly agile teams that could shift direction quickly and efficiently based on customer need and reaction. Do more of what the fans like; less of what causes them to make the ‘meh’ noise. It got very Big Picture very quickly, as you can imagine, and getting lost in that landscape was entirely likely, but we kept our heads down. We never lost sight of one simple—yet very central—narrative question: “What happens next?”

I’m ostensibly in charge of the writers’ room, but as anyone who has spent any time in the company of writers knows (especially when writers have been given the “go!” sign to make things up), being in charge means I’m the guy who makes sure the coffee pot is full and there are enough snacks. Sure, sometimes I would dangle a shiny plot point for someone to glom on to, but mostly, it was like directing a cattle stampede. You spook them in one direction, and then get the hell out of the way. I make it sound chaotic and terrifying, but it’s really quite glorious to watch. The room turns into a self-perpetuating machine that spews ideas out on a logarithmic curve.

However, at the end of the session, we’ll always come back to the basic rule. What’s the story? Where does it go next? Planning ahead was a sucker’s game because with a team like this, plans change. A lot. It’s like micro-managing a vacation getaway down to every minute that you’re away, and then never getting out of your home airport because some heavy weather has rolled in. All that work gone to waste. But it wasn’t the planning that was wasteful. It was the time spent planning. Time you could have spent writing the story—the next page, the next scene.

Once upon a time, during the traditional visit to the local bakery after a rousing morning of banging metal sticks together, Neal offered the following during a lull in conversation. “I have this idea,” he said, “A monk walks into a bar . . . ” And he went on from there for a few minutes. When he was finished, there was a pause, and then someone asked: “And then what?”

Neal mulled that over for a moment and then shrugged. “I don’t know. I guess we should find out.”

That was two and a half years ago. In that time, we’ve produced a nice door-stopper of a trilogy; we’ve strewn story seeds across two thousand years of narrative; we’ve written a screenplay, two game narratives, and an entire iconography that we’re stealthily inserting into every era of history.

At our most recent writers’ meeting, I pulled the rug out from under the team. After the usual hour of kibitzing and waving swords around, I quietly erased the chalkboard and wrote two numbers: “4” and “5.” I got the room’s attention and said, “Everything you’ve been working on for the last few weeks is now on hold. We’re changing direction.” I wrote some explanatory notes on the board as I talked; then, I put the chalk down, dusted off my hands, and offered them a smile as I got out of the way. “Now, let’s talk about what happens next.”

For the next two hours, the room was a raucous cacophony of ideas. And they’ve only just gotten started . . .

—-

The Mongoliad, Book One: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt (pdf link). Visit Teppo’s blog. Follow him on Twitter.

The Final FilmCritic.com Column

It’s up now. Go see me say goodbye and have some final thoughts on (pretty much exactly) four years of science fiction film. And if you have any comments you’d like to make over there, well, now’s the time, isn’t it.

The Big Idea: Alethea Kontis

It’s not a joke when I tell you that the first time I met Alethea Kontis, she reminded me of a fairy-tale princess. It had to do most immediately with her Disney-esque hair and eyes, but the resemblance went more than skin-deep as well, as her personal wit, charm and gumption — all characteristics of the species — quickly showed. Now, Kontis isn’t a fairy-tale princess (or if she is, she is of the “self-rescuing” sort), but it turns out she does have quite a fascination with fairy tales, which shows up in her debut novel, Enchanted. Even more fittingly, that fascination with fairy tales has its start in her real world.

ALETHEA KONTIS:

Once upon a time there was a little girl named Alethea who dressed like a fairy tale gypsy, befriended trees, and had really big ideas.

That little girl was me.

I was supposed to be a New Year’s baby. Instead, I showed up almost two weeks late and ruined my mother’s ski trip. Encouraged by three hours of resentful snowshoeing, I popped out on the morning of January 11, 1976. It was a Sunday. I am a Sunday’s Child. Blithe and bonny and good and gay.

I’ve always hated that stupid nursery rhyme.

Who wants “blithe and bonny and good and gay” as a quality? My life goals were to be weird and mysterious. I wanted to walk the fine line between good and evil, constantly plagued by the very sexy dark side. I wanted to write disturbing and real prose inspired by my tragic upbringing.

But noooooo, I had to be a freaking Jedi raised in a Norman Rockwell painting. Darkness took one look at me and threw in the towel. My parents named me TRUTH, for gods’ sake. Hopeless. Completely hopeless. I was a stuck up stick in the mud with two goody shoes that craved adventure like Lorelei Lee craves diamonds, but I was always too damned scared to do anything about it.

So I read, a lot, about all the impossible adventures I wanted to be part of. And when I’d burned through all twenty library books and my two weeks weren’t up yet, I wrote to fill the gap. I wrote everything: myths and stories and comic strips and greeting cards and anti-drug pamphlets and poems–rotten amounts of rotten poetry that’s cute when you’re ten and pathetic when you’re in high school. No one told me what I could or couldn’t do, so I just did it all.

And every night when that first star came out in the darkening sky, I wished for a ship. This magical ship was going to show up out of nowhere and take me on the fabulous adventure that had been chomping at the bit waiting on me to arrive. I wanted the fairy tale. And not in the Julia Roberts way.

I chose to take the whole writing thing seriously in 2003. The moment I did, two very influential people popped into my life: Orson Scott Card and Andre Norton (best fairy godparents ever).  Uncle Orson taught me that I’d had the power all along to take these goody two shoes (Ruby slippers! Who knew?) wherever I wanted to go. Miss Andre taught me that even the smallest things were magical to someone. They both brought home the idea that writers–these architects of adventure I had worshipped forever–were people too. The only differences between them and me were a few decades and an unprecedented amount of Butt in Chair.

In the spring of 2004, I got my first book contract (AlphaOops: The Day Z Went First) without even really trying. In fairy tales, this is usually where it skips to the “…and she lived Happily Ever After” bit. Oh, those tricksy Grimms and their “good parts” versions. Such is the way of the storyteller. Keep your audience hooked all the way to the end, even if you have to skim over certain less-interesting facts.

That’s never been enough for me.

Why did the frog prince stay with that princess? Sure, he needed out of that spell, but she was a bitch who lied to get what she wanted, went back on her word, and then tried to kill him so she wouldn’t have to fulfill her promise. Were Cinderella and Prince Charming really in love? He saw a pretty face across a room and danced with her three nights in a row, yeah. She obviously made such an impression on him that when he came calling later with shoe in hand, he rode away with the wrong sister twice before getting it right.  I can make a daisy chain, but how does one realistically weave a shirt out of nettles? And how does a sweet, innocent girl like Snow White grow into someone who takes pleasure in maiming her stepmother in front of her entire wedding party?

My dad is a storyteller. I know how this works. I know how to listen between the lines for the hyperboleless truth. Maybe these folk tales and nursery rhymes really did happen a long time ago, and over countless dinner tables they’ve boiled down to “good parts” versions so small that what’s left are reductions open to billions of interpretations.

The world of Enchanted is my interpretation. I took all those tales and rhymes you know and love (and some you’ve never heard of) at their word, and I rehydrated them. I filled in some blanks, came to some logical conclusions, and fit them together like John Nash puzzle pieces. You’d be surprised at how snugly they fit.

For example, it makes sense to me for most of these tales to have originated in one large family–Woodcutters, naturally–with a penchant for storytelling. “Cinderella” works for me if the girl and the prince have met before, and the ball is simply a ruse to bring them together beneath the radar of warring families. Perhaps they originally met…when the prince was a frog. And so on. And so on. The more you know about old-school fairy tales, the more you will enjoy Enchanted. I stand by that promise, no frog-throwing.

Once upon a time, there lived a girl who was the daughter of a stern mother and a storytelling father. She liked to write things in her spare time that she thought no one wanted to hear.

That girl is Sunday Woodcutter.

Enchanted is her story.

—-

Enchanted: Amazon|Barnes & Noble|Indiebound|Powell’s

Visit the author’s Web site. Learn about her tour “chip-in” fund. Follow her on Twitter.

Today’s Random Thing I Found in the Yard

A snapping turtle. Which struck me as random but apparently isn’t entirely, as snapping turtles are native to Ohio (as well as much of the eastern two thirds of the continental US), and there is a big pond nearby, where this guy probably lives most of the time. He (or she, honestly, like I could tell) is probably out looking for a mate, as this mating season. In which case he has a bit of travel yet, since I’m pretty sure there’s not any more of his kind in the yard. I wish him luck all the same.

Various and Sundry, 5/7/12

Things and stuff:

* Been asked asked whether I think Joe Biden’s sudden declaration about being peachy-fine with same sex marriage is politics or an actual declaration of Biden’s feelings on the matter. Well, why either/or? I think Biden may very well not have a single problem with men marrying men and women marrying women, and also that the Obama Administration is doing one of its messaging things to gays and lesbians (and those who have no problem with gays and lesbians marrying their own respective sexes), to wit: “Hey, Obama’s gotta do that fence-sitting thing on the topic until at least after the election, but remember which party it is that’s actually going to evolve in the direction you want. Hey, did you see how the Romney campaign hung that gay spokesman of theirs out to dry? Yeah. Anyway, keep it in mind, okay?”

Is that cynical of Obama to thread the needle like that? You bet. Welcome to the 2012 presidential election.

* Entirely unrelated, I’ve also been asked for further thoughts on the tenor guitar, which I’ve now been playing with for about a week. The short answer is that I’m still quite liking the thing: it really is substantially easier for me to play than a standard guitar, and because I’ve enjoyed playing it, and find it less frustrating than other guitars I’ve owned, I’ve been playing with it quite a lot. My strumming is still crap, but it’s less crap than it was a week ago.

It’s also a nice guitar, or at least this is what independent outside observers have told me. I took it to my local music store to get restrung (since I have it tuned like a uke, I needed to switch around the top and second strings), and the folks there seemed quite taken with it. They were also sort of curious about it; I think it might have been the first tenor guitar they had seen in the flesh. Which I can certainly understand, since I didn’t know such things even existed until three weeks ago.

The one drawback I’m having with the guitar is that I keep bumping it into things. Even though it’s smaller than the average guitar, it’s substantially larger than a uke, which is the thing I’m used to playing. So I’ve got to wrap my brain about that.

But overall: One of the better purchases I’ve made lately.

* Additional Redshirts news: There’s a review of the book on Tor.com today, which is nicely positive, which makes me happy. The review has some mild spoilers, so be warned. If you don’t want the book spoiled minorly, here’s the pull quote:

Redshirts is a light, fast read, but it’s also a book whose questions about storytelling and agency stay with you long after you have put it down.

Yup, that sounds about right.

I am trying not to overdo Redshirts stuff around here, but as a fair warning, we’re almost exactly a month away from the release date and between now and then news and reviews are going to roll in, plus there will be some very awesome surprises and probably a few more giveaways. So you will hear about it a lot. This is what happens in the month before a book drops.

The good news is, immediately afterward I’ll be on tour, which means I’ll be so busy I will hardly update at all! Lucky you.

Dear Rest of the World That’s Not the USA: I Am Giving Away an ARC of Redshirts

Dear The Rest of the World:

This is the Redshirts giveaway for you. You can only enter if you are not a resident of the USA. Because, my dear Rest of the World, you are special too. Don’t let anyone tell you any different.

Here’s how to enter:

I am thinking of a monument. Guess which monument I am thinking of. Include the name of the closest city, or if no city is nearby (which is possible), the monument’s approximate latitude/longitude.

Hints:

1. The monument I am thinking of is not in the United States.

2. It’s man made.

3. The monument itself is not something meant for humans to live in.

Leave a comment, with your guess. In the comment, also tell me which country you’re in. You have until 10am (Eastern), May 9th, to get your entry in.

The first non-US resident to guess the monument I am thinking of will win. If no one guesses the monument, I’ll pick a winner by seeing how many comments there are and having Athena pick a number between one and that number.

When I announce the winner (it might take a couple of days because I’ll be traveling), that person will contact me from the same e-mail they used to leave their comment, with their physical mailing address. And then off in the mail the ARC will go.

Simple.

Okay, then: What monument am I thinking of?

Tor/Forge Blog Giving Away Three Copies of Redshirts (US Only)

Three! It’s a magic number. Go here and leave a comment; the Tor/Forge folks will take care of the rest.

And, yes, sorry, only open to the residents of the 50 US states and Washington, DC. It’s a legal thing.

Turning off the comments to this post so there’s no confusion.