A Musical Interlude
As part of the gradual and continuing process of returning to the Scalzi.com site all the crap I took down when I changed providers, I am happy to announce the return of Music for Headphones, my album of mostly instrumental electronic music that I banged together a couple of years ago.
However, I am not merely content to give you the old, crappy, streaming Real Audio version that was up before; no, the new version features high-end variable-bit-rate mp3s, for the best sound quality while still nodding toward not punishing people with too huge a download (mostly). Also, I’ve added in an extra track which I haven’t put up before: “Don’t Stop,” which features a couple of samples from Journey’s “Don’t Stop Believin’.” Oh, stuff it, you snobs. It’s pretty good. I’d get in trouble if I was trying to sell this, but I’m not; this is non-commercial exhibition only. So have at it.
In any event, now all this music sounds better (or at least, less compressed) than before, so I hope you enjoy it. I’ll note that when I listen to these tracks, I tend to jack up the high end a bit, because there’s generally a lot of drumming and some of the high end can get lost. But I also tend to jack up the high end no matter what I listen to, so make of that what you will.
Here are the tracks, with links to the mp3s and some general comments about each:
1. Acceptance (5.85MB) — Possibly my favorite track I’ve done. It’s pretty simple and trance-like, and has some nice swelling New Order-y synths in it.
2. Transformation (7.33MB) — This one starts off very harsh and electronic and eventually becomes rather more acoustic and mellow; thus the title.
3. Why Don’t You Love Me (7.97MB) — A rather plaintive flute starts this one off; I think it sounds swirly and moody and a good aural approximation of what it feels like inside when you like someone rather more than they like you. One of the better ones as well.
4. Well Imagine That (5.42MB) — More ethnic flutes; more moodiness. Something about ethnic flutes and moodiness that just go great together, y’know?
5. Athena (3.51MB) — When Athena was three, I gave her a microphone and let her sing into it. This is what came out. She did all the instruments too! Well, no, not really. But maybe one day.
6. Don’t Stop (5.91MB) — I did it because I like Journey, so there. Also, it’s an earworm of a piano line.
7. Night Flight (7.97MB) — If I were writing background music for planetariums to play while they were doing exhibitions about the planets of the solar system, this is what it would sound like.
8. Clear That Up (5.47MB) — This is what I imagine it sounds like to walk home in the fog after a clarifying “discussion” with a paramour that didn’t end very well for you.
9. Kindertransport (8.43 MB) — The “kindertransport” were trains that European Jews put their children on just before World War II to send them to safety to England; the trains would take the children to ships, which would cross the Channel, and then the children would live with distant relatives or sometimes even strangers. Needless to say in many cases those children never saw those parents again. I can’t even imagine what it would be like to put my own child on a train like that, but this piece tries to evoke some of that emotion. I think this is probably the best composed piece I’ve done to date.
10. Converge to Merge (10.6MB) — I call this my “Stairway to Heaven” piece, and when you listen I think you’ll understand why. However, there are no bustles in hedgerows. Because that would be alarming.
11. Let’s Fly Away (7.84MB) — Yes, that’s me singing. Yes, the voice is heavily treated. The actual reason is to cover up deficiencies both in the microphone and in my voice, but as it turns out, I really like the effect; it almost sounds like a guy leaving a song on his lover’s answering machine, and I like that mental image. I’m not giving up my day job, but on the other hand, clearly I’m not embarrassed by the song, either. So there you have it.
I hope you enjoy Music For Headphones, because it’s probably the last you’ll hear of me here for at least a week: I absolutely, positively have to finish writing The Rough Guide to Science Fiction Film this week or both my editors and my wife are going to murder me, and rightly so. So no more Whatever until it’s done. You understand, I presume, that this is meant more as an incentive for me than as a punishment for you.
Enjoy, and see you in February.