But Enough About Me…
* For example, did you know that today was the day that Elizabeth Bear’s latest book Worldwired debuted in the stores? And if you did not, have you considered seeking professional help for this problem? This is the third in the series of "Jenny" books (and, I believe, the last of the series as well), so if you’ve been waiting until you can get the whole set, your wait is over. Me, I’ve been getting them as they come along. Also, unlike the rest of you, I’ve also been reading Bear’s short story that she wrote for the Subterranean Magazine cliche issue; she tackles the End of the Universe, which is pretty damn ambitious of her, but she pulls it off (as of course she would — you don’t think they give out Campbell Awards to just anyone, do you?). You’ll have to wait until spring to read that one, but you can get Worldwired now. That’s a hint.
I haven’t read through the whole thing yet, but what I’ve read so far is solid, and in all I’d have to say that if you’re in the market for inspirational writing this holiday season, better this book than yet another iteration of the Chicken Soup for the Soul books — if for no other reason than that all the proceeds of this book are going to relief organizations. It’s good people doing good, and all that. Check it out.
As an aside, this is the first book I’ve gotten that has been printed up by Lulu.com, the publish-on-demand press who has been developing a reputation among writers as being a friendly sort of place to do your self-produced printing. I was wondering what Lulu’s product would look and feel like, and on the basis of this I have to say it looks quite nice, nicer than the CafePress books I ran off a year or so ago for my personal use. There are little design things that give this book away as a publish-on-demand (off-the-shelf cover font; too-small margins for the inside text), but pretty much only if you’re a book geek. The next time I do a personal printing job, I’ll think of using Lulu and see how it works for me.
What I do like about Lulu (and other POD outfits) is how quickly they allow a project like this one to turn around; I imagine before a couple of years ago a group could have come together to make a book like this and gotten it out in the same sort of timeframe, but it wouldn’t have been easy, and it probably would have been awfully expensive. This is a genuine advance in the state of things, and another reason why the 21st century is so damn fun to be in.
* Cherie Priest talks a little about what it takes to be a writer, keying off of a series of recent Poppy Z. Brite posts, in which Brite goes to town on one of those folks who makes the snide comment that they could write a novel, too, if someone would just give them a big-ass advance. In my opinion, Brite gets a little too spun up about what was essentially ignorant jackassery on the part of a non-writer, but a salient point she makes, which the esteemed Ms. Priest amplifies, is that writers don’t write because someone dropped a fat wad of cash in front of them, they write because if they didn’t they’d go absolutely and completely bongo-striking insane.
Conversely, if I had a million dollars, I would slap it all down on the table in front of any jackass that said they could write a fabulous book if only they had a big fat advance, and tell them they could have every single penny if they could bang out a genuinely salable book in six months (which is about the amount of time writing a book is assumed to take by various publishers I’ve known). And the reason I would slap down that cash would be that it could not possibly be any more safe than if I tied it up in T-bills, because your basic loudmouth non-writer is no more capable of writing a salable book than I am of piloting a 747, and roughly for the same reason — it’s a skill you have to learn, baby, and one generally learns the writing skill by writing most days of your life (and generally — alas — you’ll be doing that for little if any pay). The only way a non-writer is likely to produce a genuinely publishable manuscript is if he takes some of the advance money and hires a ghostwriter, but that’s not really the same.
Anyway, people who say they can write a book if only they had a fat advance don’t bother me; publishers don’t go around offering fat advances to random passersby just for a happy chuckle. You generally have to guzzle some famous person’s sexual organ first, and most people aren’t good looking enough to do that on a regular basis (and those that are have other ways to get their scratch than to pester a publisher). Honestly, the best response to these would-be writers would be to say, "And if someone gave me money for no good reason, I would study the dark ninja ways" with as straight a face as one possibly can. If the non-writer has any brains at all, he’d recognize that you are mocking him and why you are doing it; if not, well, then, I guess you can talk about ninjas. Either way, one shouldn’t waste too many brain cycles on it.