Rembrandt, Up Close


The Dayton Art Institute is hosting a traveling exhibit from the Rijksmuseum, featuring a number of famous works from Rembrandt as well as other Dutch masters and Rembrandt apprentices, including Jan Steen, Adriaen van der Werff, Nicholaes Maes and Gerard Dou. Apparently the Rijksmuseum doesn’t let its work travel all that much, but right now its undergoing an extensive renovation, so the thinking is that there’s no harm done in letting somee of this work travel about while the museum is getting fixed up. And thus: Rembrandt and friends in Ohio.

We went to it today, and it was really delightful, and a reminder that some things are better experienced in real life. The picture above, for example: The Denial of Saint Peter. Here on this page you have a nice picture of it, and you can see Peter, questioned about his acquaintance with Jesus, saying he doesn’t know them. The composition is good, the lighting (via a hidden candle held up to Peter’s face) evocative, and the whole piece clearly a great work. Then you go see the actual thing, and it’s like going from black and white to color. You can see how completely Peter is torn, as his heart longs to say how he loves Jesus but his mouth says he knows him not. You see how the light in the picture actually seems to glow, illuminating Peter’s torment. And you can see, in the background, Jesus turning to hear his beloved disciple renounce him, his expression sorrowful as Peter’s is tormented. And you know why this is art: Because you feel Peter’s denial as if you were there yourself, wrung from you through the use of oil, canvas and varnish. You can sense all of this when you see the picture in some other medium; you feel it when you stand in front of it. Art is a tactile medium.

I went in knowing I’d enjoy seeing Rembrandt’s work, both his paintings his print work, but I was also pleasantly surprised to see how much I enjoyed the other art work as well, particularly the work of Nicholaes Maes, a student of Rembrandt whom I had not known of before. Maes seemed taken with loading his work with symbolism; a picture of a young servant pensively lookig out of a window, for example, is supposed to be an allegory for the sin of sloth. I don’t know how I feel about that; I think she just looks like she’s having a moment to think about something, which doesn’t seem especially slothful. But then I’m not a 17th century Dutchman, either. Another painting in the exhibit had a hunter coming back from the hunt and offering a woman a partridge; to your golden age Dutchman, this picture was apparently screaming that the guy wanted to get busy with the woman. You miss a lot of allusions over the gulf of 350 years.

We naturally took Athena to the exhibit with us; she’s just old enough to appreciate something like this, so long as we didn’t linger too long in one place or another. We timed our pace so we finished the exhibit just as her tolerance wore out, which I thought was nicely done. The exhibit did something I thought was very smart, which was that it had a kid’s level audio program as well as an adult level audio program, so Athena happily went from picture to picture and listened to what was going on in the picture. I didn’t bother with an audio program myself, but I’m glad someone thought ahead about how to keep an eight-year-old amused at an art exhibit.

I think this is one of those things she’ll appreciate more as she gets older; Rembrandt doesn’t mean much to her now, but as she learns more I think she’ll be happy she saw some of his work in her hometown. As it is, she came out of the exhibit declaring that she wanted to be an artist, including that with her two now-long-term planned professions of dentistry and building demolition. I told her I was proud of her multi-disciplinary ambitions. And I am.


A Fine Selection of 2006 Sunsets

They await you beyond the cut. Enjoy in all their dusky splendor. And remember: Ohio is sunset country.


Gerald Ford

My first memory of Gerald Ford was one of annoyance; this jerk was on my TV when my TV show was supposed to be on! And he was on all my TV stations! Logic tells me that I should be equally annoyed with Jimmy Carter, who would have been his debate partner and thus equally culpable of hogging space on my TV, but I have no memory of him at all, just Gerald Ford, stolid and refusing to get out of the way of, oh, Happy Days or Good Times or whatever it was I was wanting to watch. If I could have, I would have voted against Ford just for that. My excuse for such a vengeful, uninformed vote would have been that I was seven at the time.

Indeed, while I was alive when Ford was President, his entire administration occurred well before I had any knowledge of or interest in politics of any sort, so I note his passing with at most a sense of detachment. My memories of Ford are mostly of him being parodied as clumsy for falling down stairs and appearing on an ad for the Boy Scouts, and then, some time later, being the subject of a Saturday Night Live skit in which Dana Carvey, playing a Tom Brokaw trying to get ahead on his canned stories, declares that Gerald Ford had been consumed by wolves, and that he was delicious. Upon discovering that Ford had died, my first impulse was to check to make sure its note of Ford’s passing included a shout-out to that skit. I was not disappointed. I suppose it may be telling that my entire cultural legacy of Ford consists of him being mocked and/or fitting himself into an Eagle Scout uniform, but whether it’s telling more about me or him is something I’ll leave untouched for now.

I wish I had something more substantive to say about the man. Which is to say I know I could speak more substantively about him — my grasp of recent American history and the implications of his presidency are pretty firm — but I lack any compelling emotional or intellectual impetus to do so. I don’t really remember him as anything but a reasonably genial ex-president, of the old school of ex-presidentery, the one that says you spend your sunset years playing golf, doing charitable work, and generally staying well out of the way. He did that well enough that I don’t really miss him. I wonder what he’d think about that.

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