Month: March 2007

You know what, this is the last weekend that I’m actually going to be spending at home between now and mid-May, thanks to various speaking and touring commitments. I think I might actually spend it with my family instead of here. No offense. See you all on Monday with a wrap-up of Reader Request Week and other news.

In the meantime, here, have an open thread. To get you started: Share your favorite song to karaoke to. I have a distinct preference for “Melt With You” by Modern English, myself. If you don’t karaoke, or choose to plead the fifth, then recount the worst karaoke rendition of a song you’ve ever heard.

Enjoy the weekend. See you later.

Should you pick up a copy of Geek Monthly this month, the one with Mary Lynn Rajskub on it, you know, like you do, you geek, then this is what awaits you on pages 26 and 27. Perhaps not as faplicious as Ms. Rajskub (and if you disagree with this assessment, please don’t tell me), but nice all the same. Both the very amusing photo and the article itself are by Jeff Hentosz, who as many of you know is a frequent visitor to the Whatever — and in this case also a visitor to the Scalzi Compound, as he came out for the interview and photo shoot. Yes! He sat on the infamous office loveseat! Yes! He’s met Athena! Yes! He pet the hallowed BaconCat! I’m sure it was a pivotal moment in his life, as it should have been.

I’ve thumbed through the rest of Geek Monthly as well, and perhaps not at all surprisingly, I found it a pretty fun and interesting read, filled with lots of stuff I like to know about. As it happens , it arrived on the same day as the latest issue of Wired, so I suppose if there was every any doubt that I am, in fact, a complete friggin’ dork, those doubts should now be washed away. Hello, I’m a total knob. Nice to meet you.

Krissy just came in and went “Ha!” at that picture with the article, by the way. Figures.

Castiron asks:

What advice would you give to someone who wants to help folks who are poor (either specific individuals they know, or poor people in their community in general) become not-poor?

Well, Castiron, if you can’t give them good jobs with good wages and excellent benefits — which would be helpful — then what I would suggest is that you give them some practical advice; a roadmap, as it were, for charting their own course out of poverty. As this happens, this is something I have experience with, having grown up rather poor, and being not poor now. Here’s what I would recommend you’d say, because this is what I would say, based on my own experience and the experiences of others I have known personally.

1. Get an education. This is the single most important thing you can do to get out of poverty. I’m not going to trot out all the statistics that show how much more you can make with a college degree than you can without one; I assume people know this already. But let me offer to personal anecdotes to bolster what I’m saying. The first is to note that I am the only one in my immediate family (mother, sister, brother) to get a college degree — indeed, if I remember correctly, I’m the only one to have finished high school, although others in my family have GEDs. I make more a year than all the rest of my immediate family combined. I’m not smarter than anyone else in my family, nor more virtuous or a better human being, or whatever. But that degree got me a good first job, which in turn opened other doors.

The second anecdote involves my wife — who to be sure is not in poverty, but bear with me. When Krissy and I met, she had her high school diploma and that was it. Anyone who knows me knows I think my wife is smarter, more sensible and better organized than I am, because she is — I have met very few people who are as flat-out competent as my wife. But because she had only a high school diploma, she was locked into a series of jobs that were, to put it mildly, wildly below her abilities, and wildly below what should have been earning. It didn’t matter that she was clearly capable enough and intelligent enough for other jobs; those jobs weren’t open to her because employers listed a college diploma as a criterion. Fortunately, her current employer recognized her brains and paid for her to complete her college education, so they could put her in a job that required a BA. Now she has a quite nice job with a perfectly good salary. What has changed about Krissy? Not her intelligence, her competence or her abilities. What’s changed is now she has a piece of parchment that says “bachelor of arts” on it.

It sucks that by and large smart, capable people are locked out of good jobs because some HR dweeb has decided to use a college degree as a filtering device. In perfect world this wouldn’t be done. This is not that world. Getting a college degree does not assure one will lift out of poverty — I know lots of starving post-grads — but does mean one’s options are much wider. Poverty in the United States is very often about a lack of options, and a lack of good choices. Giving one’s self the ability to have more options in one’s life matters. Beyond the simple fact of the college degree, the process of education can offer other useful things — placement services, access to internships, the implicit task and time management training that comes from attending classes on a schedule, etc — all of which will come in handy in the real world. But at the end of the day it’s really simple. Education provides options.

People who are poor, and who are adults, are often reluctant to go back to school because they’re worried they don’t have the time or that their school skills are so rusty that they’ll fail right out of the box. I won’t pretend that it won’t take time; I won’t pretend that they might fail. Speaking from watching the experience of others, going back to school as an adult can be a painfully slow and aggravating experience because you have to fit it in to the rest of your life. But it will make a difference. If you’re poor and young, you do (hopefully) have the advantage of not having all of the responsibilities of life pressing down on you all the time.

Yes, there are people who have done well without college or even high school diplomas; allow me to point at my own fiction editor, Patrick Nielsen Hayden, an autodidact of the first order and one of the smartest people I know. Allow me also to point out that for every PNH, there are 1,000 people who find their path to a financially remunerative career flatly blocked by a “B.A. required” notation on the want ad. We all want to be the statistical outlier; most of us, by definition, will be in the middle of the bell curve.

2. Take responsibility. One of the more odious bits of ignorance that come from those who loathe the poor merely for being poor is the idea that they are solely responsible for their poverty. This is exhibited by an almost childlike misapprehension of the facts of the world. This is not becoming in people who ostensibly have more than two neurons to rub together, so I’ll spend no more time discussing all the ways that this model of poverty is absolutely and contemptuously ridiculous.

However, what these folks are correct about is that attitude matters. If one is not willing to look at one’s poverty and say “I deserve better than this,” then the chances of emerging from poverty are very slim indeed. I think at some point someone who is in the straits of poverty and who wants to leave them stops looking at why they are poor, and starts looking to solve their poverty problem, and keeps clear in their mind the idea that they are working to leave poverty behind. You have to want it, basically — and you have to want it enough to actively do something about it.

This is what I mean by “take responsibility” — not taking responsibility for one’s poverty (although if you were an active participant in your being poor, you should be aware of that reality), but taking responsibility for getting out of it. You have to be the prime mover in your own life because generally speaking other people are too damn busy with their own lives to be actively working on yours. People often can help you and will help you, and when that offer is given you should take it (more on that later), but fundamentally you should work on the assumption that you’re the only one who cares if you walk out of poverty.

It’s going to take work, and it’s going to take time, and it’s going to be full of disappointments, slips, falls and backtracking. But you have to keep taking responsibility for your own life, and your own path out of poverty.

3. Get help. Taking responsibility for one’s emergence from poverty and knowing you have to be the shaper of your own life should not equate to a “I don’t need anything from anybody” attitude. Surprise! You do need help — as much help as you can get. When people offer you help, take it. If they don’t offer their help, ask for it (maybe they don’t know you need help, after all). If there are programs — charitable or governmental — that can help you, use them, and somewhere in the back of your mind promise to pay forward that help when you’re able. If you’re not using every tool that is useful and available to you in your climb out of poverty, you’re just handicapping yourself, and that’s stupid, because the path out of poverty is difficult enough as it is. Your pride should be invested in getting out of the hole, not in declaring that you did it alone.

As an addendum, I’d also suggest using your judgment to know what’s help and what’s someone preying on you. I say this specifically regarding things like check advance stores and other businesses that suggest they’re offering you a leg up while working on the back end to keep you mired in poverty. Being poor doesn’t mean you don’t have a brain. You’ve got one. Use it.

4. Learn patience. Anything is possible. But when you’re poor everything takes longer. The degree that takes a middle-class 18-year old four years to get could take you ten years at night school. Your plans will be thwarted by a bad alternator, an unreliable babysitter, an unexpectedly large electric bill, a fractured wrist and always by the fact that you don’t have the money that allows other people to consider potholes what you see as a sinkhole that will rob you of your forward momentum. It is not easy to stop being poor, which is something people who are not poor seem to have a genuinely difficult time understanding. It’s an uphill walk, and a bunch of crap is rushing downhill at you. You will avoid some of this crap, if you’re smart. You will almost certainly not avoid it all. And some of what you won’t avoid is going to carry you quite a distance back down the hill.

You need to understand this now, because in the thick of it it’ll be easy to say the effort isn’t worth it. Trust me, it is, and you will recognize this when you get up the hill. In the meantime, learn patience. This won’t be easy; it sure as hell wasn’t easy for me (and still isn’t). But it helps.

5. Filter Out the Stupid and the Ignorant. There are people — lots of them — who assume that poverty is a marker for low intelligence, bad work ethic and questionable moral character, and generally assume that if you’re poor, you deserve to be. Your poverty serves to makes them feel good, because if you’re poor for these reasons, then the fact they’re not means they must be smart, industrious and virtuous. It’s like these people read only the snarky parts of Calvinism. At their least malicious, these folks are merely contemptuous of the poor; at their most malicious they are actively engaged in hurting the poor.

To deal with the latter, vote them out of office and don’t use their products. To deal with the former, the best thing to do is pity them that their worldview is hateful and petty and vile, and that they are simply not smart enough to differentiate between money and virtue. And once you’ve pitied them, stop thinking about them. You’re unlikely to get them to change their mind, and any time you spend on the effort is time better spent helping yourself.

Likewise, there are some among the poor who resent when someone chooses to make the effort to lift themselves up out of poverty — folks who feel that trying to do better for yourself implicitly suggests that you are better than them, not realizing that what you do isn’t a referendum on their lives. You’re unlikely to get them to change their minds, either. Pity them that they don’t recognize that they are responsible for their own self-image, and then once again stop thinking about them.

What you can feel good about is the fact that outside these two groups of people there is a group of other people who recognize that pulling one’s self out of poverty is an act of grace in itself, and who will encourage you and welcome your efforts and help you if they can. There are more of these people than you might suspect. Remember that they are there when you’re confronted by someone who, for whatever reason, seems invested in the idea of seeing you fail.

This is my advice.

Adam Ziegler, who I think really needs a hug, asks:

The world is a sad place. One can argue that some things have improved in recent centuries and decades, yet with every turn of the sun, parents lose their beloved children, innocents are maimed or forced in slavery, wars rage, and most people on this planet endure grinding poverty. We live atop a mountain of sorrows, made higher still by our ongoing misery.

But you are fortunate. By luck of birth and the skill of your hands, you have escaped the fate of most. You earn a generous wage as an entertainer. You have a beautiful family, your health, a comfortable home. But all of it could end tomorrow.

Even if you are one of those rare individuals who can live every moment in the present; even if you know in your bones that life is what you make of it, you are still an intelligent person who knows the state of the world and how fortunate you are to have your fragile place within it. You know that, in the end, most of what you say or do will matter very little. You know that you, your family, everyone you know and everything you have worked for must someday come to ruin and dust.

My question: Does it make you sad? How do you deal?

Well, I deal with it, first, by not thinking about it all a tremendous amount. I do that largely by keeping busy. It’s funny how just the simple act of answering a day’s worth of e-mail will keep the crushing inevitability of the entropic heat death of the universe at bay for a good half hour to an hour. There, I’ve tidied up my inbox. Take that, proton decay! Having an eight-year-old in the house — while certainly increasing entropy — does also help to keep me sufficiently distracted. I’m surely aware this sounds like a dodge — fiddling while Rome pops out of existence one sub-atomic particle at a time — but it really does work, and if you are the sort to obsess about everything eventually turning into dust, then keeping busy is a good make-work solution for being overwhelmed by the ennui that comes from recognizing that nothing you do will matter 500 years from now, anyway. And this way at least all your e-mail gets answered.

The second way I deal with it is to have a sense of perspective about the matter. Look, at the end of the day, trillions of years from now, everything in this universe is going to disappear. It’s right there on the label marked “quantum physics.” Long before this happens, just five billion years from now, the sun will turn into a red giant, likely swallowing the Earth and reducing it to a cinder. Long before that — billions of years before that — changes in the sun’s internal workings will render our planet uninhabitable. And long before that — in the relatively short period of time of a few million years — it’s very likely we’ll be extinct because unless you’re a shark or an alligator, the chance that your species will simply peter out after a few million years is really rather excellent. We’re likely with the majority there, even if we weren’t busily altering our environment so rapidly it’s like we’re daring future generations of humans to survive.

With the exception of the very last of these, there’s not that much to be done about it; the universe is not notably sympathetic to our cries that we should be special and eternal. It’s nice you feel that way, the universe is telling us, but one day I’m going to end and I’m going to take you with me. Once you wrap your brain around this simple and unalterable fact — the fact that not even the universe is getting out of here alive — the rest of it comes pretty easy. And you realize that to some extent worrying about enduring when your genome will dissolve, your planet will dry up, your sun will engulf your home and every single thing that ever was in the universe will randomly pop out of existence, a particle at a time, is a little silly. This frees you to stop freaking out about what will happen in the future and focus on what the hell’s going on now.

Yes, tomorrow I die in any number of ways; tomorrow anyone I know and love could do the same. 50 years from now I have a very good chance of being dead; 60 years from now it’ll be a near-certainty; 100 years from now it’s unlikely that anyone alive will be reading my work. Honestly, have you read a book from 1907? That year, the best selling book was The Lady of the Decoration, by Frances Little; prior to just now looking up this info, I’d not heard of either the book or the author. Nor, prior to just now, had I heard of The Port of Missing Men, Satan Sanderson, The Younger Set or Half a Rogue, best sellers all, or of Meredith Nicolson, Hallie Erminie Rives, Robert W. Chambers or Harold McGrath, their authors. These were the best sellers of the year. My books sell just fine today, thanks, but if I can’t be bothered with Half a Rogue, it seems doubtful the citizenry of 2107 will have much use for The Last Colony.

(Here’s the Project Gutenberg file for Half a Rogue, incidentally. I trust that you will find it as appallingly purple as I did, which will be roughly as appallingly purple as my books will be a century from now.)

Does this make me sad? Not really. Sure, it’d be nice to be remembered eternally, or, at least as long as people read, but that’s not really up to me, and I just think it’s dumb to spend much time worrying about it — and indeed, for as much as I like like my writing, I think I’d be a little worried for the future if 200 years from now I was hailed as one of the great literary lights of our age. It would make me wonder what really interesting selective apocalypse occurred that only my work and work inferior to it survived.

My work is meant to be read now. If it survives and is enjoyable 20 or 40 years in the future, excellent; I’ll be happy to enjoy the royalties and the low-to-moderate notability it provides. But I don’t worry about writing for the ages; the ages will decide what they want to read by themselves, and I won’t be around to care either way. I think intentionally writing for the ages is a fine way to psyche yourself out and assure whatever it is you’re writing is stiff and pretentious, and frankly there are very few writers who are so preternaturally good at this gig that they should flatter themselves that the contemporaries of their great-great-great grandchildren will give a crap. Ask Frances Little or Harold McGrath about this one. I want to give people a good read that doesn’t insult their intelligence and also pays my mortgage. If eternal art comes out of these desires, groovy. If not, then I still get to eat.

Moving away from my work to more ineffable aspects of my personal life, yes, I’m aware of the fragility of life and the suddenness with which circumstances can change. Today my life is good; there are any number of ways it could go crushingly wrong. Aside from basic and laudable prophylaxis, however (i.e., pay bills on time, live within means, buckle seatbelts, teach child basic moral standards, etc) I’m not sure that there’s much benefit in thinking too much about all the ways things could get horrible, fast. So I don’t. Being capable of understanding the downside — to anything — does not suggest that one is obliged to model it in one’s head more than is absolutely necessary. Short of actually experiencing horrible wrenching change, I believe I am as prepared as a person can be for its possibility. Worrying about it beyond that point is useless overthinking; I’ve got enough stuff to do already.

Finally, in the larger sense — the one in which I am a citizen of the world, that I like no man am an island, blah blah blah blah blah, it becomes a matter of asking one’s self first whether one wants to be engaged in the world, and then if so, how best to be of utility. I do enough things that I feel engaged in my world and I feel like I’m trying to do beneficial things (or at least I’m doing as little harm as possible). I think it’s my responsibility to try to make the world a better place than it was before I got here; I don’t feel obliged to be heart-rent at every thing that’s wrong with the planet. One person can make a difference in the world, so long as that one person realizes that one person can not do every thing or be actively concerned with every damn thing. I pick and choose; everyone does. I focus on what I think I do well, and where I think I can do good.

Now, I understand that these answers would suggest a certain and elemental shallowness to my nature — a willingness not to think about topics or issues that are weighty in themselves and worth thinking about. What I’m leaving out here, for the space of relative brevity, is a detailed examination of processes by which I came to this intellectual methodology, generated through years of self-examination and self-realization via intentional and unintentional experiential phenomena, to produce the robust heuristic structure through which I filter data. As regards that, let me just say that I’ve had a life, and I’ve paid attention, and this is what works for me.

I don’t discount that in the end, everything I do, say, write and am will amount to a whole lot of not much; I just don’t think it’s a relevant metric. The relevant metric is: Have I constructed a life that gives me happiness, allows me to give happiness, and allows for this life to have meaning within its admittedly limited context? If I am succeeding in this particular metric, I think I’m doing pretty well. Yes, one day my species will be replaced by hyper-intelligent squids, the earth will turn into a charcoal briquette and the universe will end in an increasingly thin proton soup. But that’s all waaaaaay in the future. Right now, things are good.

Over at the Ficlets Blog today, I’m interviewing Alma Alexander about her latest book, the YA Worldweavers: Gift of the Unmage. We also talk about her world travels, making characters who deny then defy expectations, and whether writing can be taught. If you miss all this, generations hence will mark this as a black day in history. Possibly the blackest.

And it’s something I’ve been expecting since I accepted the nomination, so this is pretty much right on time: Whether I am fannish enough for the Best Fan Writing Hugo category.

Discuss (politely).

Some thoughts on this year’s Hugo nominations. Yes, I’ll talk about my nomination — how can I not? — but let me get through some other thoughts first.

* First, what the hell? I assumed that the first Worldcon based in Japan might actually have some Japanese nominees on it somewhere, but as this Hugo list shows, it’s a completely English-speaking ballot from top to bottom. I think this is weird and wrong; there ought to be some Japanese nominees somewhere in the mix. I demand a recount!

* This is a fine year for the novel category, notwithstanding the fact neither of my eligible books are in it. I’m particularly gratified to see Blindsight and Glasshouse in it. With this nomination Charlie Stross becomes only the second person to score Hugo Novel nods in four consecutive years — the other guy is Robert Silverberg. You may have heard of him. Charlie will no doubt be humble in the face of any comparison to Silverberg, so let me be unhumble for him: if there was any doubt about it before, Charlie Stross is now officially science fiction’s poster boy for the first decade of the third millennium.

As for Blindsight, I feel some some pride in flogging the book to all and sundry last year, and its presence in the novel category shows that being adventurous in science fiction can pay off. Hopefully now this will equate to folks buying the book. I recommend you do this, now. Congrats also to Naomi Novik, who pulls off this year what I did last year: Best Novel Hugo and Campbell nominations! Very nice.

* Speaking of the Campbell Class, which I am naturally disposed to be interested in, it’s a good one, too — and, interesting, almost totally made up of fantasy writers. Discuss this amongst yourselves.

* Data point, noted in a Making Light comment thread but worth noting here, too: In the novel, novella, novelette and short story categories combined, there is exactly one female nominee. Strikes me as a little… odd.

* No, I’m not going to list who I’m going to vote for in what. For one thing, I don’t know yet (except in the Best Editor, Long Form category. You know I’m voting for Patrick Nielsen Hayden there, because, well). For another thing, too many friends are competing in too many categories. Having lots of friends nominated for stuff makes me squee.

* So, my nomination for Best Fan Writer. As you may know, the Hugo committee lets the nominees know a bit ahead of time that they’re nominated, so they can accept or decline. So, there I am, typing something on the SFWA newsgroups when I get a ping in my e-mail telling me I have a Hugo nomination. And so I think to myself, huh, I wonder which of the books got nominated, and then I opened up the e-mail to discover the answer was “none of the above.” Then I laughed out loud, and then I thunked my head on the desk at the absurdity of it all. Then I took some aspirin, because I had given myself a headache. Yeah, I’m stupid sometimes.

Interestingly enough, I am not the first person to have been nominated for Best Fan Writer after having been nominated for Best Novel — Piers Anthony did it (he was even nominated for Best Fan Writer and Best Novel in the same year), but it’s been 37 years since it happened last. I am, however, the first Campbell winner nominated for Best Fan Writer, so I’ve got that bit of Hugo trivia going for me. Also I believe I am the first Best Fan Writer nominee ever to be running for president of SFWA at the time of his nomination. As if that campaign wasn’t weird enough already.

* What do I think of this nomination? I think it’s awesome. I think it’s awesome because it was totally unexpected, for one — I mean, really, bam, poleaxe across the head unexpected — and also awesome because now you can’t look at my Hugo nominations and say that I don’t have range. It also points out the fact that I’ve got one of the weirdest science fiction writer careers going, and I say to say that fact pleases me mightily. Yay! I’m a freak!

But what’s really awesome about it is that it means that what I write here has some significance to the science fiction community. And that, my friends, is both gratifying and genuinely humbling. I am continually surprised at how much the Whatever has shaped my life both professionally and personally, and how people respond to it what goes up here. Every time I think I have got it figured out, this place throws me for a loop. I should just give up trying to figure it out and enjoy the ride.

Which I will do now — except to say thank you to my readers in science fiction fandom. Thank you for the nomination. Thank you for reading the Whatever. Most of all, thank you for including me into the science fiction community. I came to it from the outside, you know; my first convention ever was Torcon 3, back in 2003. Before then, I was a stranger to fandom. I don’t feel like a stranger anymore, and that’s an even better feeling than the one you get from a Hugo nomination.

Thank you again. It means a lot to me. More than you know.

Yes, I’m nominated. Try to find me. Here’s the list:

Novel
Michael F. Flynn, Eifelheim (Tor)
Naomi Novik, His Majesty’s Dragon (Del Rey; also, Voyager, 1/06, as Temeraire)
Charles Stross, Glasshouse (Ace)
Vernor Vinge, Rainbows End (Tor)
Peter Watts, Blindsight (Tor)

Novella
“The Walls of the Universe” by Paul Melko (Asimov’s, April/May 2006)
“A Billion Eyes” by Robert Reed (Asimov’s, October/November 2006)
“Inclination” by William Shunn (Asimov’s, April/May 2006)
“Lord Weary’s Empire” by Michael Swanwick (Asimov’s, December 2006)
Julian: A Christmas Story by Robert Charles Wilson (PS Publishing)

Novelette
“Yellow Card Man” by Paolo Bacigalupi (Asimov’s, December 2006)
“Dawn, and Sunset, and the Colours of the Earth” by Michael F. Flynn (Asimov’s, December 2006)
“The Djinn’s Wife” by Ian McDonald (Asimov’s, July 2006)
“All the Things You Are” by Mike Resnick (Jim Baen’s Universe, October 2006)
“Pol Pot’s Beautiful Daughter” by Geoff Ryman (F&SF, October/November 2006)

Short Story
“How to Talk to Girls at Parties” by Neil Gaiman (Fragile Things, William Morrow)
“Kin” by Bruce McAllister (Asimov’s, February 2006)
“Impossible Dreams” by Timothy Pratt (Asimov’s, July 2006)
“Eight Episodes” by Robert Reed (Asimov’s, June 2006)
“The House Beyond Your Sky” by Benjamin Rosenbaum (Strange Horizons, September 2006)

Related Book
Samuel R. Delany, About Writing: Seven Essays, Four Letters, and Five Interviews (Wesleyan University Press)
Joseph T. Major, Heinlein’s Children: The Juveniles (Advent: Publishing)
Julie Phillips, James Tiptree, Jr.: The Double Life of Alice B. Sheldon (St. Martin’s Press)
John Picacio, Cover Story: The Art of John Picacio (MonkeyBrain Books)
Mike Resnick & Joe Siclari, eds., Worldcon Guest of Honor Speeches (ISFiC Press)

Dramatic Presentation, Long Form
Children of Men. Screenplay by Alfonso Cuaron and Timothy J. Sexton. Directed by Alfonso Cuaron. (Universal Pictures)
Pan’s Labyrinth Screenplay by Guillermo del Toro. Directed by Guillermo del Toro. (Picturehouse)
The Prestige. Screenplay by Jonathan Nolan and Christopher Nolan. Directed by Christopher Nolan. (Warner Brothers / Touchstone Pictures)
A Scanner Darkly. Screenplay by Richard Linklater. Directed by Richard Linklater. (Warner Independent Pictures)
V for Vendetta. Screenplay by The Wachowski Brothers. Directed by James McTeigue. (Warner Brothers)

Dramatic Presentation, Short Form
Battlestar Galactica, “Downloaded.” Writers Bradley Thompson and David Weddle. Directed by Jeff Woolnough. (NBC Universal/British Sky)
Doctor Who, “Army of Ghosts” and “Doomsday.” Written by Russell T. Davies. Directed by Graeme Harper. (BBC Wales/BBC1)
Doctor Who, “Girl in the Fireplace.” Written by Steven Moffat. Directed by Euros Lyn. (BBC Wales/BBC1)
Doctor Who, “School Reunion.” Written by Toby Whithouse. Directed by James Hawes. (BBC Wales/BBC1)
Stargate SG-1, “200.” Written by Brad Wright, Robert C. Cooper, Joseph Mallozzi, Paul Mullie, Carl Binder, Martin Gero, and Alan McCullough. Directed by Martin Wood. (Double Secret Productions/NBC Universal)

Editor, Long Form
Lou Anders (Pyr)
James Patrick Baen (Baen Books)
Ginjer Buchanan (Ace Books/Roc)
David G. Hartwell (Tor Books)
Patrick Nielsen Hayden (Tor Books)

Editor, Short Form
Gardner Dozois (The Year’s Best Science Fiction)
David G. Hartwell (Year’s Best SF / The New York Review of Science Fiction)
Stanley Schmidt (Analog)
Gordon Van Gelder (Fantasy and Science Fiction)
Sheila Williams (Asimov’s)

Professional Artist
Bob Eggleton
Donato Giancola
Stephan Martiniere
John Jude Palencar
John Picacio

Semiprozine
Ansible, ed. Dave Langford
Interzone, ed. Andy Cox
Lady Churchill’s Rosebud Wristlet, ed. Gavin J. Grant & Kelly Link
Locus, ed. Charles N. Brown, Kirsten Gong-Wong, & Liza Groen Trombi
The New York Review of Science Fiction, ed. Kathryn Cramer, David G. Hartwell, & Kevin J. Maroney

Fanzine
Banana Wings ed. Claire Brialey & Mark Plummer
Challenger ed. Guy Lillian III
The Drink Tank ed. Christopher J. Garcia
Plokta ed. Alison Scott, Steve Davies, & Mike Scott
Science-Fiction Five-Yearly ed. Lee Hoffman, Geri Sullivan, & Randy Byers

Fan Writer
Chris Garcia
John Hertz
Dave Langford
John Scalzi
Steven H. Silver

Fan Artist
Brad W. Foster
Teddy Harvia
Sue Mason
Steve Stiles
Frank Wu

John W. Campbell Award for Best New Writer (not a Hugo)
Scott Lynch
Sarah Monette
Naomi Novik
Brandon Sanderson
Lawrence M. Schoen

List gacked from Making Light.

Posting the list now; comments to come in a separate entry in just a few minutes.

I was going to do something more substantial for today’s reader request piece, but I’ve realized my brain is like mush at the moment, so I’m going to do an easy one instead, from Ron Hogan:

“How do you cope with the fame of having taped bacon to a cat?“

I think the whole thing has been pretty damn funny, myself. It’s also a perfect microcosm of How The Web Works, circa now. Andy Warhol famously opined that in the future everyone would be famous for fifteen minutes; he had the right idea but the wrong vehicle. People aren’t famous for fifteen minutes, they’re famous for one Internet meme. Mine happens to be BaconCat.

Now, I can afford to be sanguine about BaconCat fame for a few reasons. One is that, if I may say so, I am somewhat notable otherwise; enough people know me for things other than my ability to adhere breakfast meat to a domestic animal that I’m comfortable with being known for that, too. Another is that that I understand how complete damn ridiculous it is, and in being ridiculous, being also non-repeatable. I’m not in a rush to tape bacon to other animals, or place other foodstuffs on my cat, or otherwise try to bottle this bacon-scented lightning a second time. Finally, in an Internet where a guy is world famous for falling on his face, another is famous for practicing Jedi moves while chubby and yet another is famous for his ability to pull his posterior regions apart far enough to lodge the Great Pumpkin in his rectum, being known as “The BaconCat Dude” is delightfully benign.

Which is not to say that the joke doesn’t get old. Someone feels obliged to make a bacon and/or cat related joke here on two comment threads out of three. After a while, you know, I feel it’s okay for all y’all to stop. It’s not that funny. Now, I realize that most people are just doing it in good fun, so it’s not worth making a deal out of. But, folks, seriously: making Bacon Cat jokes at this point is like the Whatever equivalent of the dude who shouts out “Freebird!” at every single concert you’ve been to for the last 15 years. I’m just saying.

Having said that, it is a fun story. And when I do a live appearance and people ask to hear the BaconCat story, I pretty much have it all blocked out and choreographed. It’s like a little standup routine. When I’m on tour and you want to hear the story, go ahead and ask. I’ll probably be happy to share.

(Want to participate in Reader Request Week? Add your own question here)

Hey there. Been busy today. Here’s some stuff to think about while while I get my act together:

* The Spring 2007 edition of Subterranean Magazine Online kicked off a couple of days ago (that’s the “cover” for it up there). I’m in it, just not yet — material from the issue gets released over the course of time, to give you an excuse to keep checking in (don’t worry, I’ll let you know when my story goes up). But what’s up now is pretty damn good, including new stories from Caitlin R Kiernan and Joe R. Lansdale and Neal Barrett, Jr. And it’s free for you to read, which is nice.

* Christopher Rowe has some thoughts on joining SFWA, after next Sunday.

* I spent the earlier part of my day down at the Honda dealer, getting a new gasket for some aspect of my transmission (because the minivan was leaking transmission fluid), and putting on new tires, because we hadn’t replaced the one that came with the minivan when we got it in ’03. All of which was not notably cheap. I don’t mind spending the money (it’s not like I want to drive around without transmission fluid or on bald tires), but that’s money I don’t get to spend on useless indulgences. I sort of resent that. I say this with the acknowledgment that in the grand scheme of things, this is a good place for one to be, financially.

* Someone just pinged me that they’ve seen my profile in the latest Geek Monthly magazine, so I suppose that this is an excellent time to note that, hey, there’s a profile of me in the latest print edition of Geek Monthly. Rush out and get it! You can find the online adjunct here. I’m not in that part, however.

Hey there. Been busy today. Here’s some stuff to think about while while I get my act together:

* The Spring 2007 edition of Subterranean Magazine Online kicked off a couple of days ago (that’s the “cover” for it up there). I’m in it, just not yet — material from the issue gets released over the course of time, to give you an excuse to keep checking in (don’t worry, I’ll let you know when my story goes up). But what’s up now is pretty damn good, including new stories from Caitlin R Kiernan and Joe R. Lansdale and Neal Barrett, Jr. And it’s free for you to read, which is nice.

* Christopher Rowe has some thoughts on joining SFWA, after next Sunday.

* I spent the earlier part of my day down at the Honda dealer, getting a new gasket for some aspect of my transmission (because the minivan was leaking transmission fluid), and putting on new tires, because we hadn’t replaced the one that came with the minivan when we got it in ’03. All of which was not notably cheap. I don’t mind spending the money (it’s not like I want to drive around without transmission fluid or on bald tires), but that’s money I don’t get to spend on useless indulgences. I sort of resent that. I say this with the acknowledgment that in the grand scheme of things, this is a good place for one to be, financially.

* Someone just pinged me that they’ve seen my profile in the latest Geek Monthly magazine, so I suppose that this is an excellent time to note that, hey, there’s a profile of me in the latest print edition of Geek Monthly. Rush out and get it! You can find the online adjunct here. I’m not in that part, however.

Hey there. Been busy today. Here’s some stuff to think about while while I get my act together:

* The Spring 2007 edition of Subterranean Magazine Online kicked off a couple of days ago (that’s the “cover” for it up there). I’m in it, just not yet — material from the issue gets released over the course of time, to give you an excuse to keep checking in (don’t worry, I’ll let you know when my story goes up). But what’s up now is pretty damn good, including new stories from Caitlin R Kiernan and Joe R. Lansdale and Neal Barrett, Jr. And it’s free for you to read, which is nice.

* Christopher Rowe has some thoughts on joining SFWA, after next Sunday.

* I spent the earlier part of my day down at the Honda dealer, getting a new gasket for some aspect of my transmission (because the minivan was leaking transmission fluid), and putting on new tires, because we hadn’t replaced the one that came with the minivan when we got it in ’03. All of which was not notably cheap. I don’t mind spending the money (it’s not like I want to drive around without transmission fluid or on bald tires), but that’s money I don’t get to spend on useless indulgences. I sort of resent that. I say this with the acknowledgment that in the grand scheme of things, this is a good place for one to be, financially.

* Someone just pinged me that they’ve seen my profile in the latest Geek Monthly magazine, so I suppose that this is an excellent time to note that, hey, there’s a profile of me in the latest print edition of Geek Monthly. Rush out and get it! You can find the online adjunct here. I’m not in that part, however.

Hey there. Been busy today. Here’s some stuff to think about while while I get my act together:

* The Spring 2007 edition of Subterranean Magazine Online kicked off a couple of days ago (that’s the “cover” for it up there). I’m in it, just not yet — material from the issue gets released over the course of time, to give you an excuse to keep checking in (don’t worry, I’ll let you know when my story goes up). But what’s up now is pretty damn good, including new stories from Caitlin R Kiernan and Joe R. Lansdale and Neal Barrett, Jr. And it’s free for you to read, which is nice.

* Christopher Rowe has some thoughts on joining SFWA, after next Sunday.

* I spent the earlier part of my day down at the Honda dealer, getting a new gasket for some aspect of my transmission (because the minivan was leaking transmission fluid), and putting on new tires, because we hadn’t replaced the one that came with the minivan when we got it in ’03. All of which was not notably cheap. I don’t mind spending the money (it’s not like I want to drive around without transmission fluid or on bald tires), but that’s money I don’t get to spend on useless indulgences. I sort of resent that. I say this with the acknowledgment that in the grand scheme of things, this is a good place for one to be, financially.

* Someone just pinged me that they’ve seen my profile in the latest Geek Monthly magazine, so I suppose that this is an excellent time to note that, hey, there’s a profile of me in the latest print edition of Geek Monthly. Rush out and get it! You can find the online adjunct here. I’m not in that part, however.

Hey there. Been busy today. Here’s some stuff to think about while while I get my act together:

* The Spring 2007 edition of Subterranean Magazine Online kicked off a couple of days ago (that’s the “cover” for it up there). I’m in it, just not yet — material from the issue gets released over the course of time, to give you an excuse to keep checking in (don’t worry, I’ll let you know when my story goes up). But what’s up now is pretty damn good, including new stories from Caitlin R Kiernan and Joe R. Lansdale and Neal Barrett, Jr. And it’s free for you to read, which is nice.

* Christopher Rowe has some thoughts on joining SFWA, after next Sunday.

* I spent the earlier part of my day down at the Honda dealer, getting a new gasket for some aspect of my transmission (because the minivan was leaking transmission fluid), and putting on new tires, because we hadn’t replaced the one that came with the minivan when we got it in ’03. All of which was not notably cheap. I don’t mind spending the money (it’s not like I want to drive around without transmission fluid or on bald tires), but that’s money I don’t get to spend on useless indulgences. I sort of resent that. I say this with the acknowledgment that in the grand scheme of things, this is a good place for one to be, financially.

* Someone just pinged me that they’ve seen my profile in the latest Geek Monthly magazine, so I suppose that this is an excellent time to note that, hey, there’s a profile of me in the latest print edition of Geek Monthly. Rush out and get it! You can find the online adjunct here. I’m not in that part, however.

Various things:

* I meant to pimp Justine Larbalestier’s Magic’s Child last week, when it hit the stores, but then collapsed into my own belly button. Let me rectify that now by saying that Justine has written not only a terrific book here — this should not be a surprise, given that she’s up for the Norton Award this year — but also managed to stick the landing with her “Magic or Madness” trilogy, which is very cool. Justine and I did our trilogies more or less at the same pace, and it was great to be able to have someone out there who was going through the same crap I was, pretty much in step with me. It was helpful, you know?

But that’s all backstage stuff. Up front, as I mention, Justine’s got a great book and an excellent conclusion to her series. You must go out and buy copies right now.

* If you’ve been following the SFWA elections in the ElectionBlog (actually a newsgroup), you’ll know that Will Shetterly has been asking interesting questions of the candidates and making some cogent observations. Now he has some questions about electronic piracy (and SFWA’s engagment with the issue) and about SFWA’s current “newsgroup”-style online discussions. If you’re a SFWA member (or are thinking about becoming one, ever), head over to Will’s blog, read the questions, and leave your answers to the questions there.

* If you’re in the Dayton, Ohio area and you’ve thought to yourself, “gee, I wonder what Scalzi would be like, lecturing on how to write fiction,” you’re in some luck, since I will be lecturing on that very same topic on Friday, April 13, as part of Sinclair College’s 33rd Annual Writers’ Workshop. There will be two 90-minute sessions, and there will also be other instructors, schooling participants on poetry, non-fiction and screenwriting. The cost of the workshop is $25, unless you’re a Sinclair student, in which case it’s just $15. Anyone who’s ever seen me live knows I’ll have no problems talking for an hour and a half solid, but I do also plan on answering questions as well.

* Athena just wrote a four page, single-spaced ghost story. She is made of awesome.

Various things:

* I meant to pimp Justine Larbalestier’s Magic’s Child last week, when it hit the stores, but then collapsed into my own belly button. Let me rectify that now by saying that Justine has written not only a terrific book here — this should not be a surprise, given that she’s up for the Norton Award this year — but also managed to stick the landing with her “Magic or Madness” trilogy, which is very cool. Justine and I did our trilogies more or less at the same pace, and it was great to be able to have someone out there who was going through the same crap I was, pretty much in step with me. It was helpful, you know?

But that’s all backstage stuff. Up front, as I mention, Justine’s got a great book and an excellent conclusion to her series. You must go out and buy copies right now.

* If you’ve been following the SFWA elections in the ElectionBlog (actually a newsgroup), you’ll know that Will Shetterly has been asking interesting questions of the candidates and making some cogent observations. Now he has some questions about electronic piracy (and SFWA’s engagment with the issue) and about SFWA’s current “newsgroup”-style online discussions. If you’re a SFWA member (or are thinking about becoming one, ever), head over to Will’s blog, read the questions, and leave your answers to the questions there.

* If you’re in the Dayton, Ohio area and you’ve thought to yourself, “gee, I wonder what Scalzi would be like, lecturing on how to write fiction,” you’re in some luck, since I will be lecturing on that very same topic on Friday, April 13, as part of Sinclair College’s 33rd Annual Writers’ Workshop. There will be two 90-minute sessions, and there will also be other instructors, schooling participants on poetry, non-fiction and screenwriting. The cost of the workshop is $25, unless you’re a Sinclair student, in which case it’s just $15. Anyone who’s ever seen me live knows I’ll have no problems talking for an hour and a half solid, but I do also plan on answering questions as well.

* Athena just wrote a four page, single-spaced ghost story. She is made of awesome.

Various things:

* I meant to pimp Justine Larbalestier’s Magic’s Child last week, when it hit the stores, but then collapsed into my own belly button. Let me rectify that now by saying that Justine has written not only a terrific book here — this should not be a surprise, given that she’s up for the Norton Award this year — but also managed to stick the landing with her “Magic or Madness” trilogy, which is very cool. Justine and I did our trilogies more or less at the same pace, and it was great to be able to have someone out there who was going through the same crap I was, pretty much in step with me. It was helpful, you know?

But that’s all backstage stuff. Up front, as I mention, Justine’s got a great book and an excellent conclusion to her series. You must go out and buy copies right now.

* If you’ve been following the SFWA elections in the ElectionBlog (actually a newsgroup), you’ll know that Will Shetterly has been asking interesting questions of the candidates and making some cogent observations. Now he has some questions about electronic piracy (and SFWA’s engagment with the issue) and about SFWA’s current “newsgroup”-style online discussions. If you’re a SFWA member (or are thinking about becoming one, ever), head over to Will’s blog, read the questions, and leave your answers to the questions there.

* If you’re in the Dayton, Ohio area and you’ve thought to yourself, “gee, I wonder what Scalzi would be like, lecturing on how to write fiction,” you’re in some luck, since I will be lecturing on that very same topic on Friday, April 13, as part of Sinclair College’s 33rd Annual Writers’ Workshop. There will be two 90-minute sessions, and there will also be other instructors, schooling participants on poetry, non-fiction and screenwriting. The cost of the workshop is $25, unless you’re a Sinclair student, in which case it’s just $15. Anyone who’s ever seen me live knows I’ll have no problems talking for an hour and a half solid, but I do also plan on answering questions as well.

* Athena just wrote a four page, single-spaced ghost story. She is made of awesome.

Various things:

* I meant to pimp Justine Larbalestier’s Magic’s Child last week, when it hit the stores, but then collapsed into my own belly button. Let me rectify that now by saying that Justine has written not only a terrific book here — this should not be a surprise, given that she’s up for the Norton Award this year — but also managed to stick the landing with her “Magic or Madness” trilogy, which is very cool. Justine and I did our trilogies more or less at the same pace, and it was great to be able to have someone out there who was going through the same crap I was, pretty much in step with me. It was helpful, you know?

But that’s all backstage stuff. Up front, as I mention, Justine’s got a great book and an excellent conclusion to her series. You must go out and buy copies right now.

* If you’ve been following the SFWA elections in the ElectionBlog (actually a newsgroup), you’ll know that Will Shetterly has been asking interesting questions of the candidates and making some cogent observations. Now he has some questions about electronic piracy (and SFWA’s engagment with the issue) and about SFWA’s current “newsgroup”-style online discussions. If you’re a SFWA member (or are thinking about becoming one, ever), head over to Will’s blog, read the questions, and leave your answers to the questions there.

* If you’re in the Dayton, Ohio area and you’ve thought to yourself, “gee, I wonder what Scalzi would be like, lecturing on how to write fiction,” you’re in some luck, since I will be lecturing on that very same topic on Friday, April 13, as part of Sinclair College’s 33rd Annual Writers’ Workshop. There will be two 90-minute sessions, and there will also be other instructors, schooling participants on poetry, non-fiction and screenwriting. The cost of the workshop is $25, unless you’re a Sinclair student, in which case it’s just $15. Anyone who’s ever seen me live knows I’ll have no problems talking for an hour and a half solid, but I do also plan on answering questions as well.

* Athena just wrote a four page, single-spaced ghost story. She is made of awesome.

Various things:

* I meant to pimp Justine Larbalestier’s Magic’s Child last week, when it hit the stores, but then collapsed into my own belly button. Let me rectify that now by saying that Justine has written not only a terrific book here — this should not be a surprise, given that she’s up for the Norton Award this year — but also managed to stick the landing with her “Magic or Madness” trilogy, which is very cool. Justine and I did our trilogies more or less at the same pace, and it was great to be able to have someone out there who was going through the same crap I was, pretty much in step with me. It was helpful, you know?

But that’s all backstage stuff. Up front, as I mention, Justine’s got a great book and an excellent conclusion to her series. You must go out and buy copies right now.

* If you’ve been following the SFWA elections in the ElectionBlog (actually a newsgroup), you’ll know that Will Shetterly has been asking interesting questions of the candidates and making some cogent observations. Now he has some questions about electronic piracy (and SFWA’s engagment with the issue) and about SFWA’s current “newsgroup”-style online discussions. If you’re a SFWA member (or are thinking about becoming one, ever), head over to Will’s blog, read the questions, and leave your answers to the questions there.

* If you’re in the Dayton, Ohio area and you’ve thought to yourself, “gee, I wonder what Scalzi would be like, lecturing on how to write fiction,” you’re in some luck, since I will be lecturing on that very same topic on Friday, April 13, as part of Sinclair College’s 33rd Annual Writers’ Workshop. There will be two 90-minute sessions, and there will also be other instructors, schooling participants on poetry, non-fiction and screenwriting. The cost of the workshop is $25, unless you’re a Sinclair student, in which case it’s just $15. Anyone who’s ever seen me live knows I’ll have no problems talking for an hour and a half solid, but I do also plan on answering questions as well.

* Athena just wrote a four page, single-spaced ghost story. She is made of awesome.

DeCadmus asks:

What’s with your irrational fear of coffee? Did you have an unfortunate encounter with a can of Folgers as a child?

Well, deCadmus, no. In fact, I deny I have an irrational fear of coffee at all; I almost never break out into cold sweats at the mere thought of the brew being dispensed, nor do I, like the protagonist of Mark Helprin’s Memoir From Antproof Case, launch into sudden, multi-page tirades about the evil of the dusky drink. If other people want to drink coffee, that’s fine with me. However, I don’t drink it myself, nor am I likely to take it up anytime soon, for a simple and clear reason:

Coffee tastes like ass.

No, not like real ass; it’s just an expression (although I suspect there has been coffee that literally does taste like ass, and I’m glad never to have sampled it). But, look, it tastes bad. Anyone who says, “well, that’s just because you haven’t had really good coffee” is merely saying “well, that’s because you’ve never tasted really good ass” as far as I am concerned. No matter how good ass tastes, it’s still ass. Coffee tastes so much like ass that Starbucks has managed to install itself on every street corner in America by dispensing variations of coffee whose main recommendations are that they taste less like ass than actual coffee. Mochas and lattes are to the modern era what a gravy was to the 1600s; a concerted effort to mask the rancid taste of what lies underneath. When you have to invent things not to taste a drink, the simple solution is not to drink the drink in the first place.

I’ll note that coffee’s not alone in this; there are lots of drinks that taste like ass, but which people drink anyway, usually to get to whatever drug is suspended in the liquid. Coffee tastes like ass, but people drink it for the caffeine. Beer tastes like ass but people drink it for the alcohol. All those energy drinks taste like ass coated in cough syrup, but people drink them for, what? Taurine? You people are all high.

And it’s not just drink, of course — people are willing to put up with a lot of things that taste like ass just to get at a drug. For God’s sake, cigarettes are just pouring smoke over your tongue. And as for pot — well, that stuff actually smells like vegan farts, doesn’t it? Seriously: Room of pot smokers, room of hacky-sackers a half hour after a cruelty-free Thanksgiving. They both smell the same. And you suck it into your mouth just for a little THC kick. It’s like I don’t know you people anymore.

Honestly, this should be how we combat addiction: not by pointing out all the horrible things addiction can do to you, but by simply telling teenagers that what they’re really doing by smoking, or drinking or toking up, is training themselves to enjoy things that taste like ass. This is something teenagers can understand. Trying to explain the downside of addiction to a teen is iffy; they’re headstrong punks who can’t conceptualize being a slave to craving because it’s not in their experience. But things tasting like ass? They know all about that, and the social shame that comes with being a wanton ass-taster. I’m telling you, we’d cut teenage addiction to nothing.

Now, you can argue that coffee doesn’t deserve to be lumped in with cigarettes or a nice, chunky blunt; fair enough. But there’s a reason that plain decaf coffee isn’t America’s favorite drink. It’s because all you get with that is the taste of ass. Everybody recognizes there’s no point in that. At that point you might as well just have a glass of hot water and call it a day.

So, yeah. It’s not a fear of coffee, just an internal notation that coffee = tastes like ass = not to be put in my mouth. If you want to put it in your mouth, that’s fine with me, you ass-taster, you. I hope you enjoy its full-bottomed flavor. I’ll stick with my Coke Zero. It tastes of many things, but not one of those things is ass.

(Want to participate in Reader Request Week? Add your own question here)