New Short Story at Tor.Com — Now Live!

Tor.Com is finally live, and as noted in various news organizations, the site combines “original fiction, a group blog, lightweight social networking features and an extensive art gallery.” Plus it’s just generally cool.

Am I involved with Tor.Com? I am, in two ways. First, I signed on there to be their roving Science blogger, occasionally posting there about interesting things going on in the world of science. Because, as it happens, I do write about science from time to time on a professional basis, and now Tor.Com gives me a fun, regular outlet to do that. Awesome. I’ve already posted some entries there and will be posting more as time goes on.

Second, the site is debuting with a short story by me, set in the Old Man’s War universe, called “After the Coup.” Fans of the series may be delighted to know that after supporting appearances in Old Man’s War and The Ghost Brigades, the character Harry Wilson steps forward for his first starring role in this tale of diplomacy, biology and beating the crap out aliens with sticks and fists. The artwork above, by John Harris, accompanies the short story. I think you should have a ball with it.

(But wait, there’s more! There’s also a fabulous new story by Charlie Stross, set in the world of his “Laundry” stories, called “Down on the Farm.” Tor didn’t waste any time lining up good stuff for you to read, folks.)

I’m very excited about the Tor.Com site — The folks at Tor put a lot of thought and planning into the site, and it’s paid off. I think it has a chance to be a cornerstone of the science fiction blogosphere. Go check it out, sign up to comment and participate, and have a ball with it. I have so far.


Fan Fiction in Canada

For all you fanficcers out there, an interesting take on fan fiction from the Canadian legal perspective, i.e., whether fan fic would be legal in Canada if it ever went to court there. The author suspects not and notes that in Canada (and much of the rest of the world outside the US) there’s an additional layer of complication in that the author is assumed to have a “moral right” to a work which includes some strictures on how the work (and the characters within) is to be used. There is no moral right issue in US law, of course, because we in the US don’t have morals. Or something.

The article also namechecks the Organization for Transformative Works, the group founded last year to (among other things) promulgate the idea that “fannish” works are transformative and thus legal. My thought on that last year was that it was an interesting idea but probably wrong, and at this point I’ve not seen too much that convinces me otherwise. I’ll note that no one seems to be in a rush to push a test case into the courts.

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