The 2011 Award Pimpage Post
Best Short Story:
- “The President’s Brain is Missing,” Tor.com, July 2010
- “When the Yogurt Took Over,” Whatever, October 2010
- “An Election,” Subterranean Press, November 2010
Best Dramatic Presentation, Short Form:
- “Morning Announcements at the Lucas Interspecies School for Troubled Youth,” a live performance at w00tstock 2.3, Guthrie Theater, Minneapolis, MN, June 2010
- Clash of the Geeks, ed., John Scalzi, Subterranean Press, September 2010
And now, notes on these:
* Let me start with “Morning Announcements,” which is a comedy piece I wrote specifically for my w00tstock appearance. Naturally, for the Hugo category of Best Dramatic Presentation, Short Form, there’s going to be some tough competition in the form of Doctor Who, Torchwood, Fringe and all those other science fiction television shows, not omitting my own sentimental favorite, Stargate: Universe.
Two things here. One, I think it’s good to remember that the category doesn’t have to be for television shows only; it’s for “a dramatized production in any medium, including film, television, radio, live theater, computer games or music. The work must last less than 90 minutes (excluding commercials).” The piece was written specifically for live theater, featured acting (me, as an assistant principal of a future high school) and at eight minutes and change, is substantially less than ninety minutes.
Two, I think it’s pretty funny, very science fictional, and performed for a packed house of science fiction and fantasy nerds. It’s right in the sweet spot for this category.
So, no, this isn’t just stunt suggesting on my part. Give “Morning Announcements” a shot, and if you enjoy it, think about whether it merits a nod. And while you’re at it, give some thought to other short dramatic presentations, not related to television, which are worthy of consideration in this category. Surprises are fun. You’ll still have a few other slots for TV shows (especially for SG:U, hint hint).
* In the short story category, you may note me pointing out “When the Yogurt Took Over,” which is a very short piece (exactly one thousand words) about a ridiculous subject (intelligent yogurt) which I self-published here. I wrote it as a trifle but I have to say since I’ve written it, it’s grown on me, no pun intended. I could explain why but that’s the equivalent of leading the witness. So I’ll just say: Trifle though it was intended to be, check it out.
* As regards Clash of the Geeks, as the editor of the project I am in fact very proud of it. Once again, an absolutely ridiculous subject, and I make no bones about that. But the contributors — all of them — outperformed, and at times extraordinarily so. If you’re someone thinking about nominations for an award which features anthologies, look beyond the silliness and check out the writing craft on display.
* Once again I will note that I am eligible for the Hugo Fan Writer category and once again I would urge nominators not to nominate me and to look through the (crowded) field of potential candidates for this award. One of the things I feel very happy about is that in the last four years, there have been four different winners of this Hugo, which is a nice change from the 20 years previous to that. Let’s keep that up and get that rocket to people who deserve it and haven’t won it yet.
Thus endeth my award pimpage for 2011. And for those of you who are wondering, per this post, I wrote this last night and scheduled it for this morning.
Update, 11:22 am, 1/3: Was asked in e-mail if I’m eligible for Best Editor consideration, re: Clash of the Geeks. For the Hugo Best Editor, Short Form category, the answer is “no,” I’m one editing credit short of being qualified (you need four editing credits over a career plus at least one editing credit for the year in question). So don’t waste a vote on me; there are numerous other rather more qualified candidates for the category in any event. As for other awards with an editing category, I don’t know; you’d have to check the rules in question.