The Big Idea: Adam Christopher

You know superheroes. You love superheroes. But if you want to write about superheroes, sometimes it’s hard to put a spin on a subject that hasn’t already made the rounds. Adam Christopher faced the Superhero Challenge in his latest novel, Seven Wonders; here’s how he defeated it on his own terms.


Sometimes the big idea just comes to you, unannounced, sneaking up and moving into the spare room before you can say a thing. And then it sticks around, lingering, for weeks, months, years. Sometimes you forget about it, and then when you’re working at your desk it suddenly sticks its head in front of the screen and tells you that it is way, way better than the whatever-it-is you’re currently working on.

Well, you get the picture. Those ideas, as annoying as they may be, are often the best. The idea at the heart of Seven Wonders was like that. Annoying, persistent, and quite wonderful.

I love superheroes, and I especially love superhero comics. Superhero novels, on the other hand, are difficult beasts – superheroes need a big canvas, a lot of space, whether it’s on the pages of a monthly from Marvel, or DC, or Image, or the multitude of other comic publishers, or whether it’s on the big screen down at your local multiplex. Superheroes are about colour, and action; they’re about extremes, good and evil fighting it out with a good helping of wirework and SFX and those gorgeous double-page splashes. Superheroes are about excitement and adventure and really wild things.

Mostly. Watchmen has action and spectacle but is about something much deeper, of course. Astro City, one of my favourite comics by one of my favourite creators, Kurt Busiek, tells wonderful, moving stories about individual lives and loves against a vast backdrop of superheroes. Comics can tell any kind of story, and maybe superheroes can too.

Seven Wonders is my love-letter to superhero comics. My debut novel, Empire State, was actually written after Seven Wonders, and while that novel features a couple of superheroes, it’s more a science fiction detective story. When I was writing that book, I’d already done my big superhero story – that manuscript was sitting in a drawer, my homage to the Silver and Bronze Ages of superhero comics, filled with spandex and crazy names and unlikely anatomies, heroes and villains and the people caught in the middle. Of course, Seven Wonders is by no means the first superhero novel – far from it. Superheroes in prose go right back to 1942 and come and go in waves every few years with books like Soon I Will Be Invincible, After The Golden Age, Prepare to Die!, Playing for Keeps, the Wild Cards series, to name just a few – it’s a fine tradition, one I hope I’m contributing to.

So, what was the big idea, exactly? Well, it was – it is – the twist at the centre of the tale, the pivot point that made this story about two opposing factions of superpowered people punching the living daylights out of each something more, something else. It’s an idea that stuck with me for years, and years, until it just absolutely had to be written.

But central to this were the characters – there are good guys and bad guys, and some that are both or neither. For Seven Wonders, I wanted to tell the story from several different points of view – from the heroes, the Seven Wonders themselves: how do they see their own actions as they fight to, apparently, protect their city while letting their arch-nemesis the Cowl do what he likes? And what about the Cowl? He’s the villain, for sure, but nobody thinks they are doing wrong or are evil – they’re doing what they think is best, whether it’s for themselves or for some greater purpose. So what happens to a supervillain when things don’t go according to their plan? And how do the Seven Wonders, the Cowl, and the city’s hapless police department (more often than not cleaning up the mess after the capes have had one of their regular smackdowns) react to the arrival of a new force, an ordinary guy suddenly having to come to terms with being the most powerful superhero of them all?

And… what would you do, if you were Tony? If you had the power to save your city, to maybe show those lazy good-for-nothing superheroes a thing or two while you’re about it… would you do it? Could you control it? Or is that kind of power just too big for a single person to master?

That’s the big idea, at the heart of it. With great power comes great responsibility.

But perhaps with great responsibility comes… great power.


Seven Wonders: Amazon|Barnes & Noble|Indiebound|Powell’s

Read an excerpt. Visit the author’s Web site. Follow him on Twitter.

11 Comments on “The Big Idea: Adam Christopher”

  1. In a lot of ways, this Big Idea brings to mind a web serial that was around a while time ago called “Marvelous Bob.” Ordinary guy, immense power, and how he deals with it. Bob holds a rather special, melancholic place in my heart.

    I’ve read a few superhero novels lately. I started reading Empire State. Perhaps I should give this one a read, too. =)

  2. I’m not a comic reader, but this sounds like a fun novel. I’ve always intended to someday get into graphic novels; I’ll definitely keep this in mind (even though I realize it isn’t a graphic novel). However…

    He’s the villain, for sure, but nobody thinks they are doing wrong or are evil – they’re doing what they think is best, whether it’s for themselves or for some greater purpose.

    I only think this is true most of the time. Humans are great ones for rationalization. But do you really believe there is never someone who knows and believes that they are doing the Wrong Thing, but does it anyway because they either lack, or simply refuse to muster, the willpower to do what they believe is right?

    I ask this because I see this no thinks themselves the villain meme all the time, and I don’t buy it. I think it’s a false assumption.

  3. At the risk of derailing, I agree – there are definitely people who pride themselves on being a Bad Boy or a Bad Girl, for example.

  4. This is in the TBR pile for me… sounds fun and I grew up on comics so…

    Gulliver – I think Adam’s assertion is closer to true for truly large scale villains – supervillains if you will – than for the guy knocking over the corner liqour store. Take the two cliched examples from the 20th century, Hitler and Stalin. Both had justifications for why their actions were right, Stalin’s dating back to the famines and purges. Lenin, too, oversaw tens of thousands of executions and the rise of the secret police and had justifications for it. Does every single villain everywhere fit Adam’s assertion? No, but thats an incredibly stringent criterion – that a concept isn’t useful unless it has absolutely zero expectations.

    What intrigues me about this books is precisely that it does look at a classic situation that usually has very clear good and bad in a more subtle, complex light.

  5. … excitement and adventure and really wild things.

    I already own this book, through the magic of pre-order, because I trust it will be as awesome as Empire State (or very nearly anyway: I love that book an awful lot!), but if I’d been on the fence, this reference would’ve sold me in a heartbeat. Adam Christopher is a great writer who really knows where his towel is!

  6. Amusing timing; I picked this up earlier today, with a couple of other books, at the Angry Robots table at Worldcon. ;-) I’m looking forward to it.

  7. Yes, you’re very correct – often sudden came ideas lead to real success.
    Also, as I know, “Seven Wonders” comics exist as well, but not only novel, isn’t it?

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