Question in e-mail today asks, of my book The Human Division: “What’s up with every one of the side characters being women?”
My first thought was: Huh, a reader finally e-mailed about that.
My second thought was: Huh, it took a year and a half before a reader e-mailed about that.
My third thought is: In fact, not every side (or featured) character in The Human Division is a woman. If you were to take a pencil and write down the name of every named character, you’d probably discover that roughly half of the named characters are women.
I did consciously decide to include women characters roughly at parity to male characters, for two reasons. One, in the Old Man’s War universe, there’s no reason not to — thanks to genetic engineering and social attitudes (and other things), the OMW universe is one where there is no reason not to have parity between the sexes in the events related in the books. Since there’s not, introducing a disparity would be inauthentic to the universe I created.
Two, regardless of the world I created, we live in a world in which women are underrepresented in the media, relative to the numbers they exist in the real world. I also think that’s inauthentic, and I don’t see why I would want to be a part of that. So, unless there is a compelling reason not to (see: The God Engines, in which the lack of representation of women is there as a tell about the culture), I’ve decided in general to replicate the parity of the sexes that exists in the real world into my fiction.
I didn’t make a huge deal about it when I was writing THD; I just reminded myself to write women characters. I also didn’t generally talk about making an effort at that parity after the book was published, because I didn’t think something as simple as accurately representing male/female ratios in the real world (and how they would logically be in the universe I created) was a big deal.
I was curious if anyone would notice. I think there was one review that noted it (in passing, not as a central feature), I was asked about it in one interview, and now I’ve gotten this one e-mail about it from a reader. And pretty much that’s it.
What does that mean? Well, you tell me. I like to think that generally speaking it means that people who read my books don’t think it’s a big deal that women are at parity to men in terms of characters. I’m good with that.
To those who do notice and think it’s weird or indicative of some political agenda they feel suspicious about: Meh, get used to it. It’s not going away anytime soon.