Quick thoughts on touring and etc.
* First, here’s a video of me and Tad Williams doing our thing at the stop at Kepler’s, in Menlo Park. This was two days after the Hugos, and if you’re curious to hear my thoughts on that event, they start at at 28:42. But most of it is about writing and kids and not being a goth in high school, and other such things. It’s atypical of most of my tour stops, because I don’t do a reading, but it was a lot of fun, and I think you’ll enjoy it. It was recorded by Deborah Beale, Tad’s wife. The first two minutes are a little blurry but then it focuses up (visually, I mean. I and Tad are all over the place).
Also, if you get a chance to have a conversation with Tad Williams, do it. He’s a lovely guy and a great conversationalist.
* I technically have two stops left in my tour — Dayton and Columbus — but inasmuch as they’re drivable and I’ll be back at home when I’m done with them, my brain thinks of them as “one-offs” and that the tour ended on Thursday, when Krissy picked me up from the airport. I’ve spent most of the last several days sleeping (although I did record an audiobook, but that was easy and fun and I did each chapter in a single take in any event).
This was my sixth book tour and by now it’s not surprising to me how wiped out I am at the end of it. Tours are draining experiences — you travel in the morning, arrive in the early afternoon, do interviews or other work until the event, do an event which lasts three hours from the arrival to the bookstore until the last book is signed, go to your hotel, order room service, go to sleep and repeat another sixteen or seventeen times. It’s (mostly) fun and it’s great to see fans and friends on the road. But it’s a lot of work, and it’s also performance; I have to be “up” whenever I see people. So: Draining. Enjoyable and worth doing, but draining.
* I used to say I wasn’t sure how musicians do it because they’re constantly touring, but then it occurred to me that at this point in my career I’m on the road almost as much as a touring musician. This last tour was three weeks long, but I also did another three week stint last April, when I was in Australia for two weeks followed by a week in Los Angeles, doing business meetings, interviews and the LA Times Festival of Books. This October I’m doing events three weekends out of the month (The Iowa Book Festival, Nerdcon:Stories, and a workshop event in Tacoma). So, at this point, I think I get it just a little bit.
The one difference between tour as a writer and touring as a musician, I suspect, is that musicians always understood touring and appearances are part of the gig. For writers, I don’t know if it’s always in their worldview. And true enough, not every writer does as much of this stuff as I do (and not every writer should; super-introverts, for example, are not the people to put on tour). But at this point I make sure that when I speak to writers coming up, I let them know that touring and appearances are part of the gig, and that the should be prepared for it — or if the idea fills them with horror, that they should find a publicity/marketing angle that works for them and do that instead.
* One of the things I do like about touring is that it gives me a chance to “workshop” new material — in the case of this last tour, I read from “The Dispatcher,” which is the upcoming novella I wrote for Audible. Reading the first chapter was useful for a few reasons. One, it got people excited for upcoming work, which is never a bad thing. Two, I got to sense from an audience what was working about it and what wasn’t, which is important because this is meant to be an audiobook, and the listening experience is key.
Third, in the particular chapter I read, I made a few errors of fact and people in the audience would come up to me or email and say “Uh, the reading was great, but there’s this one thing…” And then I would fix it before the next stop. So, yes! Reading new stuff is useful.
* Whilst on tour I spent two days at Sasquan, this year’s Worldcon, and aside from the fires in Washington turning the sky a pale hickory-smoked gray, it was a very nice time. My panels went very well, my reading was very nicely attended, and I got to see a bunch of friends and members of my tribe who I don’t always get to see anywhere else but the Worldcon.
I also went to the Hugo ceremony, which I thought was generally very well done considering the potential for a lot of drama. And, well. There was a lot of drama, but it didn’t come from the ceremony itself. The ceremony was upbeat and inclusive, thanks to the work done by David Gerrold and Tananarive Due as the cohosts. I’ll note that David told me I’d be the punchline to a number of jokes at the ceremony, and I told him I would be delighted to be so. It’s always fun to get namechecked at the Hugos.
Finally, I had the good fortune to attend George RR Martin’s post-Hugo party, which was doubtless one of the best parties I have been to in my life. George gave away “Alfie” awards to certain people he thought deserved them in the wake of the Puppy nonsense, including to Annie Bellet and Marko Kloos, who had removed themselves from the ballot this year for their own reasons. It was a big-hearted gesture on the part of George, who continues to show himself to be a person of class and kindness. I genuinely admire him.
* So what will I do now? Well, first I will do the final two events of the tour (Dayton on Tuesday and Columbus on Thursday), make some edits to “The Dispatcher” and do some work on the new novel — the first on the new contract — which will be a big ol’ space opera-y thing that I think you’ll enjoy. But mostly, continue to catch up on sleep. Yes, sleep. Sweet, sweet sleep.