First off, gaze upon Chuck Tingle’s latest story, above (and for sale here). That’s kind of awesome.
Second off, I see some people here and elsewhere swearing they’re going to put anything that was on the Sad/Rabid slates or recommendation lists below “No Award” this year. Bluntly, you’ll be foolish if you do this. As I noted in my LA Times piece yesterday, the Puppies this year slated things that were already popular outside their little circles, like, for example, The Sandman: Overture, by Neil Gaiman.
Come on, folks. Does anyone really think Neil Gaiman holds active membership in the Puppy brigades? Or Stephen King? Or Alastair Reynolds (who specifically asked to be dropped from the Puppy lists, and was ignored)? Or Lois McMaster Bujold? Or, for that matter, probably Chuck Tingle? I mean, hell, someone put me on the Sad Puppy recommendation list for a while*, despite the fact I rather publicly dropped out of consideration for awards this year, and the fact that many people who identify as Sad Puppies wouldn’t piss on me if I were on fire.
Don’t give credit for the Puppies slating already popular work and then acting like they got it on the ballot, or for dragooning unwilling and unwitting people onto their slates for their own purposes. That’s essentially victim blaming. Rather, use your common sense when looking at the work and people nominated. The Puppies would be happy if you didn’t do that, mind you. I’m hard pressed to understand why you would oblige them so.
(But then the Puppies win! Yeah, folks, about that: They’re going to proclaim victory no matter what; they did that last year when they got their collective asses handed to them at the Hugo Award ceremony. We totally meant to lose! It validates everything we did! Well, fine, whatever. Personally, I’m going to ask what I always ask: Is this work worth giving a Hugo to? That’s a question that has an answer irrespective of any Puppy “strategy.”)
Third off, and on the subject of victim blaming, I do see a number of people exclaiming that because the Puppies have stuffed ballot boxes yet again, it’s the Hugos that suck and are horrible, etc. Folks, no. The Hugos are a nice fan/industry award, and didn’t do anything to deserve the nonsense that’s happening to them, except to have an exploitable flaw in the nominating process that previously no one really exploited because no one wanted to be that asshole. The people who are currently exploiting that flaw in the process are the ones who suck and are horrible, and the ones being assholes. They’re targeting the Hugos because the Hugos don’t actually suck or are horrible, and because they know that doing so hurts other people, and they like that, because, again, they’re assholes.
So, please, differentiate between the two, would you? It’s actually kind of important to make that distinction. And as a bonus, making the distinction gives at least some honor to the people who are working behind the scenes of the Hugos, this year and last year, who have had to deal with malignant trolls fucking with a thing they love. Giving them that tiny bit of honor would be nice, too.
Fourth off, one of the finalists for Best Short Story, Thomas May, who was on the Rabid Puppy slate, has left the ballot, for admirable reasons. All respect to him for a difficult decision. I don’t believe this should be a signal for folks to hint to other finalists that they should follow his example, for reasons I outline above, i.e., this year’s slates were filled with people and work the Puppies put in for their own strategic ends, and are essentially blameless for an association that is unintended and/or unwanted. If you’ve got a mind to pester people about this, please consider not. Let them do as they will, just as you do what you will when it comes time to vote.
(* Yes, I know the Sad Puppy recommendation list was open to all to put things on it. I also suspect, perhaps uncharitably, that the Puppies know their own and used the recommendation lists with that fact in mind. This is why I suspect I wouldn’t have gotten many votes out of that “recommendation” in any event. This is also why I’m not entirely convinced it wasn’t used for slate-y purposes (and a further reason why I’m not inclined to hold a work being on that recommendation list against it). That said, and as with last year, the Sad Puppies were a sideshow to the Rabids, who straight up slated.
I also recognize that many Sad Puppies don’t like being conflated with Rabid Puppies, but, you know, it was the Sads that brought the Rabids to the party, and I expect there’s still sufficient overlap in goals and strategy to tie them together, so, yeah, color me not entirely convinced. If the Sads want to really differentiate themselves, a change in branding would be the very smallest start.
With all that said: Be aware my point of view re: the Puppies also comes from being a direct target of their ire for several years running. Your mileage may vary.)