Over at Inverse, writer Ryan Britt is annoyed that two of his favorite science fiction books of the year, Death’s End by Cixin Liu, and Babylon’s Ashes by James S.A. Corey, are not on the Nebula list of nominees for Best Novel. His argument for both basically boils down to they’re both amazing so they should be obvious nominees, obviously, which to be fair is the same general argument anyone makes when they complain about something they love getting what they perceive to be a snub for whatever award they think the thing the love should be up for.
Not to single Britt out — his is merely the complaint about this I’ve seen today, not the sole complaint out there — but to serve as a reminder, as we head fully into science fiction awards season: There’s no such thing as an automatic award nomination for anything, no matter how good you think that thing is. If you think there is, you’ll be finding yourself frequently outraged for no particularly good or useful reason.
Likewise, a thing you love not being on an award ballot doesn’t mean it was “snubbed”. “Snubbing” here basically means someone (or in this case more than one someone) actively going out of their way to keep a thing off the ballot, i.e., something along the lines of “I hate this novel and/or author so much I will instead recommend a different and possibly inferior book and encourage all my friends to do so as well.” It’s pretty much 100% certain this didn’t happen here; instead, people just voted for the novels they preferred, and preferred other books.
But Death’s End and Babylon’s Ashes were good books! Indeed they were. But there were five Best Novel slots available on this year’s Nebula ballot and dozens of SF/F novels (at least!) of sufficient quality to make the ballot. The two novels that Britt points out are only a couple of the novels that could have been on the ballot, from the perspective of quality, but aren’t. There are — thankfully — always more good SF/F novels in a year than may fit on a Nebula ballot.
And not just novels but novellas, novelettes, short stories, YA novels and screenplays, those being categories that SFWA awards annually. I mean, let me use me as an example: My novella The Dispatcher was eligible for the Novella category this year. It was very well reviewed, had a huge audience, and is already up for other awards. I’m a well-known and (mostly) liked science fiction writer, and former president of SFWA, so I’m also familiar to the folks who nominate for the Nebula. The Dispatcher should be a shoo-in for a nomination, yes? Yes! I say yes! A thousand times!
But — surprise! — it’s nowhere on the Nebula novella ballot. Is this a snub? I mean, maybe — perhaps malign forces at SFWA aligned against me simply because of who I am — but the far more reasonable and likely correct answer is: The people who nominated for the Nebula awards this year simply decided on other novellas instead. There were many fine novellas this year, and the Nebula ballot reflects this, as all the novellas on it are eminently worth award consideration. I don’t consider The Dispatcher not being on the Nebula ballot a snub. It consider it a sign that it’s a really competitive year, with many excellent things to read. As a reader of the genre, and as a professional who wants the field to thrive, I really can’t complain.
I think it’s perfectly fine to champion books and stories and to be disappointed when people nominating for awards don’t have the same enthusiasm for them, in aggregate, as you do. But remember when that happens, it’s almost always not a “snub” of the thing you love, but rather an affirmation of the things the other person loves, and probably without reference to the thing you are championing. It’s a good perspective to have, in my opinion.