The Collapsing Empire has done very well for me: It sold the most in its first year of any book I’ve written to date, got excellent reviews in the trades and among critics, was optioned for television, and was a finalist for the Hugo Award, and also for the Locus Awards, the winners of which will be announced this weekend. Not bad!
With that said, and as I do here from time to time, allow me to present some excerpts of one-star reviews that The Collapsing Empire has garnered on Amazon:
- This was not epic and so boring that I couldn’t keep reading a third of the way through. Boring characters, uninteresting plot, and a clear lack of vocabulary from the author. I would pass on this one.
- Scalzi has apparently forgotten that entertaining his readers is more important than entertaining himself. Although the book was reasonably well paced, most of his characters, as drawn, were not particularly likable. And the ending of the book [NOT A SPOILER ALERT!] stinks!
- I won’t share any of this with my kids because John continues to sink into the social gutter. Do all your characters need to be sex addicted bisexuals with the pathological need to dwell on their depravity, use profanity as nearly every part of a sentence, and explore the far reaches of their flexible to nonexistent moral compasses?
- Honestly there is nothing of merit in this book at all. I cannot believe the hype around it, terrible 1 dimensional characters and simply a boring and predictable storyline.
- This was painful to read. The characters are obsessed with sex, the houses are nothing but virtue signalling, and the dialogue is all in one voice. I thought he could write dialogue? The copyediting is good.
- I got this book from the library. If I had paid $13 for this book I would be using much more colorful language to describe it here.
- Picked it up at my local bookstore as the blurb on the back seemed interesting. Unfortunately, that was all that was interesting.
- I feel like a 12 year old wrote this. I’m still cringing.
I highlight these lovely reviews of my book to make the point that no book is for everyone, and not everyone is going to like your book, whatever it is and no matter how successful it may turn out to be. In fact, some people will actively hate it. Why? Because they are terrible people with no taste or discernment? Possibly they are, but a reason far more likely than that is that they are perfectly normal people who just bounced hard off your work, for whatever reason.
Which is okay! If you try to write for everyone, you’re very likely going to end up making no one happy, least of all yourself. Accept that not everyone is going to like your work, and some people will actually hate it, and then write the story that you want to write. I was very pleased with The Collapsing Empire because it was as close as any story I’ve written has come to being the book I imagined it being when it was in my head. And in particular I knew when I was writing the character of Kiva Lagos that there would be people who would hate her, because (among other things) she’s absolutely foul-mouthed and unrepentantly morally shaky. But I loved her to bits and wouldn’t change her. So the people who were unhappy about her would just have to be unhappy.
If you accept ahead of time that someone somewhere is going to be unhappy with your book and will then write a review of it, on Amazon, or Goodreads or anywhere else — and that’s okay — it will make it easier to deal with when it actually happens (and it will). This is part of the cost of doing business as a writer. Everyone gets one star reviews. It’s not just you. And everyone survives them too.
And sooner or later you may even get to a point where you’re able to have to have a little bit of fun with them. Because, come on. Some of those one star reviews that The Collapsing Empire got are delightfully snarky. I particularly like the one that ends with “The copyediting was good.” In fact it was! So that’s something.