There’s the old adage that history is written by the winners — but history, and who gets to tell it, is more complicated than that. As Dee Garretson will tell you, as she talks about her new novel, Paradox Hunt.
My son used to believe I had eyes in the back of my head, to the point where he would comb through my hair looking for them. At those times I would tell him I could make the eyes disappear whenever I wanted to and he fell for that as well. It wasn’t something he wanted to believe, unlike Santa Claus, the tooth fairy and the Easter bunny, all who rewarded his beliefs with good things. He believed me because I was a person in authority. I feel a tiny bit bad about it now, but then it made my life easier so he wouldn’t pinch his sister in the backseat when I was driving.
We also had a kid in our neighborhood with an amazing imagination who convinced the other kids they could get rabies from touching a tree that a rabid animal had climbed. While that kid didn’t have any authority, he could tell stories and sound absolutely convincing so they believed him. I really hope the boy grew up to be a writer instead of a politician.
It’s easy to shape the beliefs of a few young children, but people with power and reach can manipulate the beliefs not just of the young and gullible but of the educated as well. I’ve thought about this for a long time. I studied history in college and I’ve wanted to write a story with this theme ever since I read an article in the Chicago Tribune about how the Chinese government didn’t broadcast the 1969 moon landing and decided their people didn’t need to know it happened. It happens in the U.S. as well-we hear about far too many textbooks that try to lessen the impact of slavery or promote a revisionist history of the Civil War.
So the big idea for Paradox Hunt arose from all of this: How do you know the history you are taught is true?
Paradox Hunt is about two young people from two different cultures, and each culture has manipulated the accounts of their histories to keep the powerful in their societies in control.
The galaxy is on the brink of chaos and Earth has grown repressive over the centuries, touting democratic principles while ruling with an iron fist. Sixteen-year-old Quinn Neen has discovered the truth behind the façade and he is determined not to be part of the elite who let the horrors continue.
I wanted to take this story beyond just having the characters fight against authority. Both Quinn and Mira, the main characters, benefit from this power structure. Their families are in charge. What does it take to move beyond your own self interest to do what’s right? It’s easy to search for truth and rail against power if you don’t have it, but if you benefit from it, it’s so much more difficult.
I wrote this story as a future where Earth is in control of much of the galaxy, because it’s easy to imagine that given humans’ propensity to colonize what they want, it’s a likely way in which the future may play out. I wrote it as young adult fiction, not because I want to go back to being a teenager (!), but because much like writers trying to get published for the first time, young adults have that mix of naivety and bravado to keep going even when it seems like everyone around you is trying to slap you down.
Save the galaxy? Sure, we can try that. Why not? Who says we can’t?
I like to write about people who are optimistic enough to believe they can make a difference. We all need those stories in this day and age. Oh, and just for fun, I’ve included a diva parrot, because why can’t there be parrots on space ships?