Ten Years of Fuzzy Nation
Today is not only my birthday, it is the tenth anniversary of the release of Fuzzy Nation, otherwise known (to me, anyway) as The Makeup Book, because it was the book that came out after Tor and I briefly and privately broke up for a couple of years before patching things back together.
Why did we break up? For all the usual reasons, mostly involving money, promises made and not quite kept, me being stubborn, and a few levels of misunderstanding which are amusing now that everyone’s made up but at the time were a little exasperating.
But! Had the misunderstandings and exasperation and failed money dealings not happened, then Fuzzy Nation would not exist! Fuzzy Nation exists because when Tor and I had our behind-the-scenes falling out, I suddenly had a bit of free time and the desire to do something that would be fun and just for me. And what I came up with was something I had mused about for a while, which was — what would it be like if a “golden era” science fiction story was updated with a more modern sensibility? H. Beam Piper’s Little Fuzzy was a good candidate to try this on, because it’s in the public domain, and also, I liked the story quite a bit and was familiar enough with it that I could use it as a basis for this particular project.
People were (and are) generally skeptical when I say that I wrote Fuzzy Nation purely as a personal exercise, and given that I’m famously commerce-minded, I can certainly understand that. But, I swear, it’s true. While I was out of contract at Tor at the time, I was working on a video game with Disney (for a project that unfortunately did not pan out) and I was consulting for Stargate Universe. Plus Old Man’s War royalties had started to come in. My bills were being covered. And after what was essentially a disappointing contract negotiation, which is necessarily about money, I wanted something to reconnect me to the fun of writing, something that wasn’t commerce-minded. I had no intent to sell Fuzzy when I was writing it, and once it was done, I thought that if I did anything with it, I’d release it as a self-published thing, with the proceeds going to charity (indeed to that end I talked to my accountant and commissioned a potential cover, by my pal Jeff Zugale).
But then two things happened: One, my agent Ethan Ellenberg asked to see it and was convinced he could sell it; two, Tor and I started circling each other again, because both of us apparently had regrets about the breakup. On Ethan’s end, we worked out a thing where we got the endorsement of the Piper estate for the book, because although it was not required we get their clearance (the book I was working off was in the public domain, remember), we thought as a matter of personal ethics — and to avoid blowback from certain segments of fandom — it was a necessary step. And on Tor’s end, well, they paid me a lot of money for the book and then they made my name bigger than the title, thus making me officially a “big name author.”
And just like that we were back in business, and we continue to be, and very happily so, to this day.
The book was not without its controversies — as expected, some parts of fandom were (and continue to be!) scandalized that I did a rewrite of Piper’s classic, even if I did get the endorsement of the estate. A few folks have snarked that the book is “fan fiction.” Well, it is, in point of fact; that’s why I wrote it, because I was a fan of the original. What they intended to be dismissive is a badge of honor for the book. I always encouraged people to seek out Piper’s original because it’s great, and I thought it would be instructive to have folks compare and contrast; indeed, the book’s original audio release had the audio of Little Fuzzy included as an extra, which I thought was pretty clever.
Anyway, if people are still upset about me doing Fuzzy Nation, I guess they will just have to die mad about it. It’s been out for a decade. It’s a little late to do anything about it now.
I’m very fond of the book, myself. It did reconnect me with the joy of writing, which was a thing I needed. It repaired my business relationship with my publisher, which was also a positive thing, for both of us. And it’s low-key the favorite book of mine for a whole lot of people, which I find delightful (a lot of credit goes to Carl the dog, who apparently people really, really like. You can’t go wrong putting a dog in your book, people. This is a tip I am giving you for free). And as a side benefit, a number of people who have read my book went on to read Little Fuzzy and from there, other Piper works. I like that a lot.
So happy birthday, Fuzzy Nation! May people continue to find and enjoy you for years to come. I’m glad I wrote you.
And now, to close on a somewhat silly yet awesome note, please enjoy “Fuzzy Man,” the sublime song from Paul & Storm that I commissioned for the book’s release. The idea was that they would replicate the closing credits power ballad from a 1980s blockbuster, and let me tell you: They friggin’ nailed it. It makes me happy every time I hear it. Enjoy.