When Everything Goes Right
By the time you read this, Love Death + Robots Vol. 3 will be live on Netflix, and those of you who subscribe to the streamer will be able to dig into its nine episodes and enjoy the varied and wildly contrasting stories, styles and aesthetics of each segment. One of those episodes is one I wrote, “Three Robots: Exit Strategies.” It’s a sequel to the “Three Robots” episode in the first season, which was written by Philip Gelatt from my original story. Philip wrote an excellent adaptation and set a high bar for me to meet with my own original script for the sequel. I hope I met it.
I don’t want to go too far into the weeds about the process of making this particular episode of LD+R, but there is one thing about it that I would like to have out there in the world. Which is: You know the writer horror stories that come out of Hollywood? Working on this episode with the teams at Blur Studios (which was the overall producer of the series) and Blow Studio (which handled the animation for the episode) and with Patrick Osborne (who directed it) was the opposite of that. From the moment we decided to do a sequel to the moment it was out in the world, the process of making it — my part of the process, at least — was pretty much a joy.
Mind you, “a joy” does not mean “a totally easy process where no one disagreed with my choices ever,” because, well, that’s not how it works, folks. My script was tweaked and worked on, and bits were added and taken out as we went along. “A joy” in this case means, “kept in the loop, always listened to, never disrespected, and always part of making the episode as excellent as possible.” For a writer, this is the way it should be.
As a result of the process being this way, I can unreservedly say that “Three Robots: Exit Strategies” is, from my point of view, an example of everything going right. When it’s on, there’s no point when I look at the screen that I have a less than happy thought about it. Is it perfect? Probably not, but if it’s not perfect, then that’s probably because of one of my choices. As far as I’m concerned everyone else involved did their job superbly.
This is a pretty great space to be in, with regard to something that’s going to be seen by millions of people around the world. Maybe it could have been made better but I don’t see how. I am as happy with this episode as I am with any creative work I’ve ever had a part in making. I love it. I hope you’ll like it, too.